Wednesday, May 11, 2022

The Illustrated X-Lapsed - House of X #1 (2019)

The Illustrated X-Lapsed

House of X #1 (September, 2019)
"The House that Xavier Built"
Writer - Jonathan Hickman
Art - Pepe Larraz
Inks - Marte Gracia
Letters - VC's Clayton Cowles
Design - Tom Muller
Edits - Bissa, White, Cebulski
Cover Price: $5.99
On-Sale: July 24, 2019

Trying something out today... let's see if it can float.

Anyone who knows me, the poor few, will know that, more often than not, I'm wracking my brain trying to think up ways to "zsusz" the numbers and audience on X-Lapsed (and here at the site). It's not easy being a one-man operation -- there's only so much time in the day, and -- since I'm also a fella with nigh-on cripplingly low self-esteem and anxiety (when blastin'!), it's difficult for me to be as active and engaging on the socials as I think I might need to be.

I try and keep the faith that hard work will eventually pay off... and that maybe, just maybe, one day I'll be shown half as much respect as the folks who "right-click, save as" four cover pics a day from Google Images and spam tag everybody they know to get "da likes". That's absurdly (and uncharacteristically) optimistic of me, innit? Snarky too!

X-Lapsed has been a, for lack of a better term, "passion project". I mean, in a year and a half, I've produced nearly 350 episodes of the thing... so, hopefully that's apparent. But... I know that listening to podcasts isn't something that everybody out there has the time nor interest to do. And so, in attempt to reach the folks who are more into receiving comics-commentary-content in a text-n-images format, I give to you The Illustrated X-Lapsed.

Will it work? Probably not. Will it last? I hope so, but no promises. Does this mean we're done with Dazzler? Nah, we got loads of Ali on the way... This is just something I'm trying out. Kinduva "Hail Mary" from yer humble host. Plus, I'm a bit interested in seeing how these early issues of the HoX/PoX era read, as at this point, we're out the other end of Hickman's run.

Note: These are adaptations of my actual X-Lapsed scripts... so, they're being written from a point of view that this is the first time I'm reading these books. I intend to keep my wild (and often wrong) theories intact. So, before you "Well, ackshully" me, please just keep that in mind. Oh, what am I saying -- I'll take ANY engagement I can get! Correct away!

--

We open with a prologue where Professor Xavier, wearing perhaps a Cerebro Helmet (?) is stood before a pretty gross-looking tree. Toward the roots of this gross tree are some… grosser pods. From them spring, I’m assuming mutants. Professor X greets them… calling them “his X-Men”. It may be worth noting, one of these newborns has what appears to be optic blasty powers? Could this be like a "Biblical" take on the Original Five?

Ugh

From here we get a few pages of timelapse, starting five months prior on Krakoa… then across the world and across the universe. The X-Men are planting some Krakoan Flowers. I’m going to guess this is the genesis of the Krakoa Gateways… or maybe the habitats we’re about to see?  Though, I could very easily be mistaken.

We settle in the “now”, at the Jerusalem Habitat. We’ve got a meeting of minds here, with several ambassadors from disparate nations having been called here by Professor X, who’d like to make them an offer they may not be able to refus. Apparently, there’re designer drugs… which promise to extend human life by five years, prevent mental illness, and act as an adaptive antibiotic. Thing is, Xavier’s got em… and he is only willing to share if he can come to terms with the governments of the world. He will only help those nations who recognize Krakoa's sovereignty. These Ambassadors seem to be split on whether or not this could be a workable arrangement.

Before we get too far, however, they are interrupted by the arrival of a pair of the Stepford Cuckoos… Esme and Sophie. I never thought I’d be so happy to see them… but, I know them… and I really need to see some familiar faces here! The humans are led up a flight of stairs where they are introduced to… Magneto! He apologizes, recognizing that he is a poor substitute for the man they expected to chat up… that being, Charles Xavier. He offers to give the folks a tour.

INFO PAGE! We get an info-graphic style page next that describes some of the Flowers of Krakoa… including those that can be utilized as miracle drugs for the humans, and those that can act as gateways for the mutants.

We shift scenes to the Graymalkin Habitat in Westchester… which I’m going to assume is the old Xavier School. There, Jean Grey is escorting some young mutants through one of the Krakoan Gateways... Including one with broccoli floret hair. We… or I learn here that only mutants can travel through them without “permission”. Humans can tag-along… but only if Krakoa says it’s cool.

As they step on through, word is sent to a Krakoan network “control center” of sorts. It’s pretty gross… it’s part animal, part vegetable… and has a whole lotta eyes. This desk is being manned by Cypher (with a Phalanxy Arm) and Sage. More familiar faces…

Jean and the broccoli boy arrive… and the tot is pretty wowed to see Professor Xavier and a “hairy guy” named Logan. In the nearby forest we see Charly and Wolverine hanging out… and the kids are like magnetically drawn to Logan. I haven’t “seen” Wolverine since his return from the dead… so, maybe he’s a kinder and gentler sort right now? I dunno… this whole thing feels very “off”... kind of like the first ten minutes of an episode of the Twilight Zone. I feel like I’m just waiting for the other shoe to drop… things seem a little TOO perfect. It’s… uncomfortable.

INFO PAGE! Another info-graphic page follows, which gives us a map of Krakoa… and, I believe, places it somewhere in the Pacific Ocean.

Next stop… Space! Agents Gregor Mendel arrive at a satellite… which appears to be full of agents of various Marvel organizations… SHIELD, AIM, some others… all of which make me yawn uncontrollably… a latter info-page will confirm some of that. This project is called Orchis. Omega Sentinel, Karima whatsherface is here… and, well, honestly a lot of this is going over my head.  Hopefully it clears up for me before long. Before leaving the satellite, we see that it’s surrounding a giant Sentinel (or maybe Master-Mold) head.

We pop back to Earth, and we join Mystique, Toad, and Sabretooth as they are pillaging the Damage Control offices. The mutants get what they’re looking for… which appears to be some data… and they split in the direction of the nearest Krakoa Gateway. Unfortunately for them, they are descended upon by the Fantastic Four. The Thing waylays Sabretooth just in time for us to shift scenes…

Back to Magneto’s magical mystery tour! They leave Jerusalem and arrive at a “hub” point, form which they can travel to a whole bunch of other habitats. One of the Ambassadors notes the strange language posted above the doorways… and is surprised that the mutants would go to such lengths. Magneto firmly states that they did so in order to create a distinct mutant culture. They pass through a door… maybe a few… because we see a smattering of locales over this page’a panels. We also see… Xorn?  Both of them?  Where did they come from?

One of the ambassadors turns the subject to the military… and how, the mutants newfound ability to travel anywhere they damned well please really changes the world dynamic. Magneto assures him that this ability isn’t an instrument of war. The human ain’t buyin’ it… and, if I’m being honest, if Magneto said that to me, I’m not sure I would either. Magneto plainly states that there’s never been a mutant war… which, I mean… I guess is technically true. The Ambassadors are growing impatient and would really like to finally go to Krakoa. Magneto tells them that both, they don’t need to… and anyway, Man ain’t welcome there in the first place The Ambassadors know Xavier’s terms… all they want is their little slice of the planet.  Humanity is more than welcome to the rest of it.

Back with the Fantastic Four… Mystique and Toad are able to make their way through a gateway… but poor Sabretooth just bounces off. The Fantastic Four take their captive… and all looks to be fine and dandy. Then… Cyclops emerges from the Gateway. He greets Ben, congratulates him on his recent nuptials… and gets down to bidness with Reed. He asks for Sabretooth to be released over to him. Reed... ain’t feelin’ it. Scott brings up the whole mutant amnesty thing… which, I tell ya, sounds like a really bad idea… especially when it comes to someone like Sabretooth. Reed won’t turn Vic over… and Cyclops isn’t really looking for an argument. And so, much to his chagrin, he leaves Sabretooth in their custody. Before leaving back through the gateway, however… Cyclops makes mention of Franklin Richards… and tells Sue and Reed that, whenever he’s “ready” there’s family waiting for him on Krakoa... Which… I absolutely love! I’ve been waiting for there to be some sort of conflict between the Fantastic Four and the X-Men over Franklin for awhile now... even back during the build-up to “The Twelve”... I was SURE Franklin was going to factor in (mostly because they said he would… but, whattayagonna do?).

Another INFO PAGE!… this time classifying Omega Level Mutants, which includes li’l Franklin… and a whole bunch of mutants I could’ve sworn were long dead. Another reminder that stakes, as we knew them, no longer exist.

Back to Jerusalem… The Ambassadors take a sidebar to discuss the situation. Esme… or the other one, reveals that these Ambassadors are all “plants”, and goes on to call them all out. She also reveals that one of em is packin’ heat… and so, Magneto takes care of the pistol the way only he can. The Ambassador says it’s just for “protection”... to which, Magneto asserts that “that’s how it starts”. He’s not wrong…

We wrap with Magneto telling the Ambassadors that they’ve got New Gods (not those New Gods)… annnnnd, that’s where we end up for today!

--

[2020 Thoughts]

This was VERY dense… and made me feel even denser! I am intrigued… hopefully intrigued enough to continue my way through. I really enjoyed the art. The whole thing felt familiar… yet not.

I feel uncomfortable… kind of like when you miss a sneeze.  There’s just a buzzing in my head. The Space bit with the Master Mold was kind of over my head... hell, I couldn’t swear to any of what I said during the synopsis!

I feel like with stories like this, we… or I, tend to get too lost in the weeds. I spent a lot of my time reading this (for the fourth or fifth time) trying to look for symbolism… where, perhaps there wasn’t any? Like, were the sorta religious bits intentional?  Were they there for people LIKE ME who tends to get lost in the scenery?  Will it all pay off?

Not sure.  I guess we’ll see where this goes…

[2022 Thoughts]

If you listen to X-Lapsed, especially more recent episodes, you'll likely be tired of... well, you'll be tired of a lot of my nonsense and repetition... but, in particular, you might be tired of me talking about how, at some point, the original "mission statement" of the Krakoan Era appeared to have been usurped... and, "softened".

I talk a lot about the discomfort I felt in reading these earliest issues of the Era. How, everything seemed a little bit too ideal. It didn't pass the "smell test", because... if you ask me -- it wasn't supposed to. I feel like we were expected to feel uncomfortable -- we were supposed to assume that there was something sinister and nefarious bubbling just under the surface. That very much feels like the intended direction here, doesn't it? The mutants, for all intents (and to oversimplify)... appear to have "won". We know it's not ever going to be that easy... and there's always another shoe yet to drop -- but, the way this issue kicked off this era... it was incredibly well done. We also don't yet have the context of the era -- we don't know that the theme going forward is the concept that the mutants never win.

In reading this first issue back, with everything we now know -- the juxtaposition is pretty wild... and again, so well done. I definitely feel like I missed out in not x-periencing this as it was hitting the shelves in real-time, as I'm sure theories were hot, heavy, and completely off the wall. That said, I am very much looking forward to revisiting my own old theories to see how well they line up with reality.

Now, hopefully I'm just a tad bit less "dense" than I was back in 2020 when I first sat down with this... well, when I first tried to make sense of this, anyway. I have absolutely no insider knowledge... my own fellow X-Men content creators don't have much time or use for me, much less the actual pros at Marvel -- so, please take all of my theorizing (then and now) as nothing more than uneducated "hot takes". I'll probably definitely "project" what I feel the creators were wanting to do... but, please, don't take any'a that as gospel.

I'd love to hear your recollections of the early HoX/PoX era, whether this is your first... of fiftieth time reading it/about it -- if you're willing to share, please do! If you know anybody who might be wanting to discuss these books, please -- let 'em know about X-Lapsed! Thanks for reading!

X-Lapsed, Episode 336 - X Deaths of Wolverine #4 (2022)

X-Lapsed, Episode Three Hundred Thirty-Six

X Deaths of Wolverine #4 (May, 2022)
"Deaths of Future Past"
Writer - Benjamin Percy
Art - Federico Vicentini
Colors - Dijjo Lima
Letters - VC's Cory Petit
Design - Tom Muller
Edits - Baumgartner, Basso, White, Cebulski
Cover Price: $4.99
On-Sale: March 9, 2022

Back when we started down XLADOW (xladow) way, your humble host overused the term "batspit insane" to describe it... and, that was meant as a compliment.  With today's issue, the Lives and Deaths of Wolverine takes a turn... while still being completely batspit insane.

We've got a lot to talk about...

--

Patreon: https://www.patreon.com/xlapsed

X-Lapsed Voicemail: 623-396-5375 (or, 623-396-JERK)

Twitter: @acecomics / Instagram: @90sxmen

weirdcomicshistory@gmail.com

chrisandreggie.podbean.com

The All-New, All-Different chrisisoninfiniteearths.com

facebook.com/groups/90sxmen

Tuesday, May 10, 2022

X-Men Vignettes, Chapter Forty-Five (1992)

 

X-Men Vignettes #45 (1992)
"The Mission"
Writer - Ann Nocenti
Pencils - Dave Ross
Inks - Josef Rubenstein
Letters - Joe Rosen
Colors - Bob Sharen
Edits - Milgrom, DeFalco
From: Marvel Fanfare #60 (December, 1991-January, 1992)

Welcome back to... X-Men Vignettes?! That's right -- today we're in "lost episode" territory, taking a look at the story that was set to appear in Classic X-Men #45 (March, 1990)... but instead, sat in a drawer for a couple of years... until Marvel realized the final issue of Marvel Fanfare (January, 1992) came up a dozen or so pages short!

Huge thanks to Chris U. for letting me know this story exists... and for sending me on a merry hunt! I'm always looking for excuses to hit da bins...

Without any further ado... let's have a goo...

--

Our story opens with a playfully peculiar Rogue sneaking up on Mystique to give her a skin-to-skin bop on the nose. This, as you might imagine, freaks out and annoys Raven... but, Rogue assures her that she only touched her long enough to steal a single thought. Not sure which one, but I suppose that doesn't really matter. All this is to establish is that Rogue's acting a bit reckless with her powers. Right off the bat, I'm really not digging this art. I know Marvel Fanfare (especially at the very end of its run), felt very much like the repository of inventory stories... which, ya know, this is one (remember, this was supposed to appear in Classic X-Men #45 some two years earlier) - but, add to that the rushed-looking art and it makes it feel even more like an afterthought. Rogue's facials in particular are rather unpleasant. The last panel on the second page looks like it's out of an old women's prison exploitation movie.

Anyway, Rogue tells Mystique that she's gotta "get her kicks" somewhere... and, by "kicks" she's talking skin-to-skin contact. Mystique isn't cool with this at all, and reminds her that they've got a big mission this evening. And so, we jump right into it. That night, Mystique and Pyro are waiting around for Rogue to show up... complaining about having to deal with an adolescent. When she finally arrives, Rogue is dressed... um, I think it's supposed to be "sexy", but it comes across in the art as more... skankily awkward? Anyway, she tells Pyro that he's lookin' hot, before Mystique starts giving the lay of the land.

The mission is... to spring some dude named Jason out of the McCarthy Medical Treatment Center and have him join up with the Brotherhood. To do so, Mystique is going to assume the form of one of the staff doctors... while Rogue's going to pretend to be a relative of Jason's who's really wanting a visit. The pair manage to make it past the first security checkpoint... which is to say, the first old man sitting at a desk -- however, aren't so lucky with the second. He, despite knowing "Dr. Forbes", still demands to see his identification card. And so, Rogue kisses and kayos him. Worth noting, Rogue seems really turned on at the sight of her "mother" shapeshifted into a fella.

After kissing the old man, our woozy Rogue shares the thought/memory she'd stolen from him with Mystique... and it's that he stole his mother's wedding ring and pawned it. From here, it's checkpoint number three... which is, well, another old man at a desk -- only, this one's got a gun! Rogue sweet talks him a bit before kissing him too. Mystique's beginning to worry that, should she keep this up, young Rogue's gonna lose her mind! And, indeed -- it looks like she's about to!

Finally, at this point, there's nothing standing between the Brotherhood and Jason Nolastname -- and so, Rogue lets herself into his solitary confinement gimmick. Only, she locks Mystique out -- ya see, she's still not done having fun. Remember, she's gotta "get her kicks" anywhere she can. Now, this Jason is... some dude... who, I'm pretty sure we never see again. He's sitting silently on a very modern-looking couch. Rogue approaches, calling him handsome (he's not), and asking if he likes her (he doesn't seem to).

She tells him that she's a freak, just like him... and goes to start giving him a shoulder massage, if the art's any indication. Still locked out, Mystique radios over to Pyro to command him to start melting his way through the wall... and so, he gets to sprayin'.

By now, Rogue's already removed her elbow-length gloves so she might... get her kicks. Jason, however, has a different idea -- sorta. He grabs her by her (bare) wrist, tells her he's not to be played with... and, tosses her across the room like a sack of laundry! Now, since there was skin-to-skin contact here... maybe Rogue sucked up a memory or thought? She's sat on the floor -- and knows that, for Jason, touch, is pain... I think?

At this point, Jasons demeanor changes... he softens. Telling Rogue that she wants to live... but, it's possible to live "too much". So much so that you become sealed off. Is this making sense to anybody else? He tells her she's lucky she can't touch... and they exit the cell together. I tell ya, it'd be a sweet scene... if it made any sense. Or, maybe I'm just an idiot.

This takes us to the wrap up... Pyro finally melts his way in, giving the Brotherhood (and guest) a clear path to escape... and so, they do. We close out with Rogue asking Mystique for help... and, we out.

--

It's kinda like riding a bike, covering these Vignettes -- it's almost like I already knew what to x-pect before even beginning. This was... an inventory story. It wasn't one begging to be told, it doesn't really change anything -- it's just a character-focused little ditty from the long ago... and another reminder that, despite her first appearance depicting her to be a woman in her mid-to-late 40's, Rogue was actually a precocious young teen when she got her start. I feel like this story really worked hard to (over)correct on that.

That said, however... was it any good? Ehh... being a man who still suffers flashbacks to X-Men Unlimited (the real X-Men Unlimited), I may not be the right fella to ask. I feel like I can smell an afterthought inventory story from a mile away... which, reasonable or not, does affect my enjoyment level. It's like, if the people getting paid to put this stuff out don't care -- why in the world should I? That's kinda how I'm walking away from this story. Add to that, the rushed and loose artwork... it's just a recipe for disinterest.

The only way this story can pay off (to me), is... and, this is going to sound odd... but, if there were more chapters of it coming down the pike. Who is Jason? Why is he so important? What's Rogue's "lesson" here? I feel like, had Nocenti been given more pages/installments... we may have gotten some of those answers. As it stands now, this feels unfinished. And, since it never will be (at least to my knowledge), we're left here scratching our heads wondering what the point was.

In the comments, the last bit of Vignettes were compared to something Marvel was doing over in Solo Avengers, where the backup stories included there, rather than being one-offs... became multi-part stories. I feel like there's a lot to this theory... and, had Marvel decided to keep the backup feature going, we would've probably gotten another 1-4 chapters of this Rogue/Mystique story spread out over then next handful of issues. It's really the only way a story like this makes sense (at least to me).

Overall -- it's kind of a worst of all worlds situation. As a two-part story, it's both too long... and too short. If Marvel were never planning on following up on this (and, as this is the final issue of Marvel Fanfare, it doesn't seem like they were)... it may've been just as well not to publish it at all.

X-Lapsed, Episode 335 - X-Men #9 (2022)

X-Lapsed, Episode Three Hundred Thirty-Five

X-Men (vol.6) #9 (May, 2022)
"The Rule of Three"
Writer - Gerry Duggan
Art - C.F. Villa
Colors - Marte Gracia
Letters - VC's Clayton Cowles
Design - Tom Muller
Edits - Amaro, White, Cebulski
Cover Price: $3.99
On-Sale: March 2, 2022

Once again, talking about that book that feels stuck between two Eras of X!  This time out, we sit in on three meetings: one on Krakoa, one on Phobos, and one on Marsarakko... and, it's even less interesting than it sounds.

But - Rogue and Sunfire actually show up in the book they're supposedly castmembers of... so there's that!

--

Patreon: https://www.patreon.com/xlapsed

X-Lapsed Voicemail: 623-396-5375 (or, 623-396-JERK)

Twitter: @acecomics / Instagram: @90sxmen

weirdcomicshistory@gmail.com

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facebook.com/groups/90sxmen

Monday, May 9, 2022

Dazzler #3 (1981)

 

Dazzler #3 (May, 1981)
"The Jewels of Doom!"
Writer - Tom DeFalco
Pencils - John Romita, Jr. & Alan Kupperberg
Inks - Danny Bulandi & Armando Gil
Colors - Bob Sharen
Letters - Joe Rosen
Edits - Fingeroth, Jones, Shooter
Cover Price: 50¢

Ya know... I write a lot.

There's some hackneyed saying about writers (though I wouldn't describe myself as one), that they have so many "bad" pages in 'em before they finally "get it"... and everything just comes together. With me... I feel like it's kind of the opposite.

It seems like the more I write, the less gooder I am become with my grasp of the English language. It might sound like I'm kidding... but, I assure you, I'm not. I literally sit here trying to think up the right words to use... many, many, many times every article. I don't remember it ever being like that before. Maybe I'm losing my mind? Maybe I am become more dumber than was? I dunno... you be the judge... or something!

For now though, let's Dazzle!

--

Today's story opens with... Dazzler dropping a bunch of exposition. At least this time out, she's just thinking all of it to herself, rather than saying it all out loud. Anyway, she's getting bombarded by sound... which she is doing her darnedist to transmute into light. Turns out this is only a test... she's dropped by the Baxter Building, and asked Reed to give her mutant powers a goo. Johnny is a bit annoyed, having assumed she was there only to see him. Worth noting, poor Ben Grimm is doing that thing he always seems to be doing at home... carrying something huge and heavy from ova here-- to ova there. Wotta revoltin' development.

Since this is a Marvel comic, and we've got some guest-stars... it's not long before an outta nowhere action scene breaks out. Dazzled by the Dazzler, poor Ben drops the heavy whateverthehell on his favorite bunion -- Johnny has a laugh before going to prove that Daz can't do anything to best him -- so, she skates over to a wall and procures a fire extinguisher to shut him up. Sue then appears right in Ali's path, which sends her skidding off into Reed's oversized rubbery mitt.

With all the tea kettles now settled, it's time for us to find out what today's issue is actually going to be about. Johnny spies something very troubling in the newspaper... turns out, Doctor Doom's jewels (ew!) are going to be displayed at the United Nations. From here, we get a quick 'n dirty retelling of the events of Fantastic Four #200 (November, 1978), wherein Prince Zorba Fortunov of the Latverian Freedom Fighters wrested the crown of Latveria from Doom. Doom lost his throne... and his marbles. And now, the FF are worried that this exhibit might draw him out of hiding.

After a somewhat flirtatious farewell between Dazz and "Torchy", we shift scenes over to the United Nations, where the Doom Jewel Expo is about to begin. Latveria's mustachioed ambassador to the U.N., Dr. Arturo Frazen is present. He finds this entire to-do to be a sham. He also considers Zorba to be a weak and ineffectual leader. He mentions something about the crown jewels winding up on the international market... though, I'm not totally clear here on whether that's his goal... or his worry.

Over to Boss Hogg's, where Dazz is given her next gig. Much to her annoyance, it's a charity show for UNICEF. Now, she has no beef with the fine folks at UNICEF, it's just that -- she needs that chedda... she's about to be booted from her pad. She's also introduced to her new meathead manager, Lance Steele... who looks just as porny-creepy as his name might suggest. Lancelot tells Ali that they'll get on swimmingly... so long as she obeys his orders. I guess when you rely on a dozen of your super-powered pals to bully a man into offering you a talent contract... maybe don't expect to be given the cherriest of gigs?

With nowhere left to turn to, Alison decides to head home to visit (and attempt to make peace) with her father, Judge Carter Blaire. She is warmly met by Nana... and, initially, embraced by dad. That is, until she reveals that she's not exactly here to beg for his forgiveness. She hasn't changed her mind about going to law school, following in his footsteps, yadda, yadda, yadda. I'm not sure exactly what she's here for... probably help with the rent, and some cold cuts to keep her half-eaten box of baking soda company in the fridge. He gives her the boot... again.

Well, at this point we're eleven pages in... howsabout we get that dude from the cover into the story? We head over to a castle in the Bavarian Alps, where Doctor Doom is met by some red-cloaked messenger... who reveals that Zorba sent the crown jewels over to the United Nations... Doom's not worried nor impressed. That is, until he finds out that the Merlin Stone was among them! Doom decides he must act.

We rejoin Arturo Frazen, who's still gazing at the jewels at the U.N. As luck would have it, security is a bit lax right now, because... get this... that UNICEF concert is taking place right there! As the massive crowd begins to form, Frazen hires some goons in "punk rock attire" to help him swipe the loot. As the concert's getting set up, Lancelot Steele is giving the orders backstage. Looks like nobody really cares for him... nor takes him seriously -- and well, they probably shouldn't.

After busting in on Dazz's dressing room, where she hasn't even had the chance to (literally) let her hair down yet, Lance spots the "Punk Rockers"... and decides he's gonna serve up some knuckle sandwiches... no questions asked. Only, by the time he approaches them, he comes to find he's far more outnumbered than he originally thought. He gets his ass kicked. Lucky for him, Dazzler overhears this beating... and she just so happens to have a new analog iPod with which to pump out some transmuted funk.

She skates over to the meathead's rescue, PWAPing the baddies but good. Meanwhile, on stage -- the show has already begun. We see Boss Hogg off to the side wondering where his "personable and proficient protégé" may have gotten off to. If you were to guess that Ali was in the middle of like a 75 page fight scene, you'd be getting warm.

Okay, okay... it's more like a four page fight scene... but still, a tad bit too long in this idiot's opinion. Anyway, once the "punk rockers" have been soundly thwarted... Ali gets zapped in her shoulder. This, as you might imagine, manages to get her attention. She turns around to see that she's in the shadow of... DOOM. And, if the art here is to be believed, she's the only thing standing between him and the nearest toilet... and, lemme tell ya -- it's an emergency!

Meanwhile, lotsa pieces are falling into... and out of place. Lance pulls himself to his feet... but is in too much pain to really do anything. On stage, the act before Dazzler is about to wrap up their set... and, thanks to Janine from Ghostbustas, Boss Hogg knows that neither Dazz nor her Lunkhead manager are around. Right then and there, Osgood announces that Dazzler is off the show... and will, ya know, never work in this town again. Worth noting, (I think that's supposed to be) Johnny Storm is in the crowd waiting to see his new obsession in action.

Back to Dazz... as Doom, gentleman that he is, helps her to her feet so he can dollop some exposition into her dome. The Merlin Stone, ya see... is a gem (well, a collection of gems actually) imbued with some magical hoo-doo by the wizard Merlin himself to make its owner invincible. Doom had already sent the Fantastic Four back in time to track the jewels down... way back during his first appearance in Fantastic Four #5 (July, 1962). Only, rather than return to the present with them -- the FF brought back only worthless chain.

In the interim, Doom was able to procure one of these gems... and also locate the second (in a nearby dimension). He assumes that with two of the Merlin Stones, it'll be a cinch to track down the rest. As he goes to reclaim the one from the exhibit... Dazzler attempts to stop him! And so, well... you know... it's time for a(nother) fight scene! Dazzler does manage to get a few good shots in... serving a whopper of a dropkick to go along with her light show. Ultimately, Doom wins... because, well, he's Doom.

We wrap up with Doc loading Dazz onto his... frankly adorable little rocket sled/scooter... and flying into the night. He believes he might have use for her yet... and, perhaps we'll find out exactly what that is... next time!

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From the crem de la crem of Marvel's heroic pantheon to... one of, if not the premiere villain in the universe. Dazzler just can't help but to fail upwards, eh?

Still having a really good time with this. I feel like, maybe we're overdoing it a tad with the action... perhaps even overcompensating with it. I wonder if there was a conscious decision to try and keep this book from being "too girly" or "too soapy"? I dunno about y'all, but... I mean, this is a character outta the X-Men... and, it didn't get much soapier than that... I think I'd be okay with Dazzler following in that tone. We are getting bits and pieces of "soap", in Ali's relationship with her father... and her day-to-day financial woes, so that's cool. It's also still very early in the run, so -- maybe the Bullpen is trying to establish the book in such a way where it's not dismissed as "slice of life" fluff?

I dunno... I'm probably thinking too hard.

The story we did get here... to use a phrase I tend to overuse... was a bit Dagwood Sandwichy. Lotta moving parts... many of which felt kinda unnecessary. Arturo Frazen's scenes were a bit confusing... his motivation wasn't made clear (at least not to a dullard like me) until the end... and, I mean... the entire robbery attempt wound up being a non-issue page-waster anyway. I dunno, maybe next issue will see some more hot 'n steamy Arturo and the Punk Rockers action?

The art was... uneven. Not bad... just not as good as it was in the first two issues. Romita's pencils were not helped in any way by Bulandi's inks... and the shift from John Jr. to Alan Kupperberg, while not jarring, was somewhat noticeable. It Marvel's banking on Dazzler being their premiere Direct Market exclusive (for now), it'd probably be best to keep the artwork consistent, at least for the first half-dozen to a year's worth of issues. At least in my opinion. Having multiple pencilers and inkers involved in a regular-sized issue reeks of running up against Dreaded Deadline Doom... and, makes the series feel like it's an afterthought.

Perhaps I'm being a bit harsh, as... like I said, the art isn't bad. But, for it only being the third issue... consistency needs to be key. Again, at least in my opinion.

Overall - another fun outing with Disco Dazz. I'm looking forward to seeing where this goes... and I hope you are as well!

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Letters Page (wow, that was quick!):

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