Showing posts with label john wagner. Show all posts
Showing posts with label john wagner. Show all posts

Friday, June 9, 2017

Robin Annual #1 (1992)


Robin Annual #1 (1992)
"The Anarky Ultimatum"
Script - Alan Grant & John Wagner
Pencils - Tom Lyle
Finishes - Scott Hanna
Colors - Adrienne Roy
Letters - Tim Harkins
Assistant Editor - Scott Peterson
Editor - Dennis O'Neil
Cover Price: $2.50

Heyyy, it's the #BestEventEver, and it's finally time for my "official" contribution to the blog-cast crossover!  But Chris, I hear you saying, haven't you been talking about Eclipso all damned week?  To which I say, um... look directly into this diamond.



So yeah, Eclipso: The Darkness Within... one of the events that brought me into the DC Universe as a fan.  I'd be lying if I said speculation had nothing to do with it... but, I also felt like this could be a great way to learn a little bit about the DC heroes.  That idea would be, as many passions of a twelve-year old might be, short-lived.

It actually lasted until I saw, get this, the price tag.  I mean, $2.50 was a lot of money... that's like two-days of lunch money.  If I was gonna starve for two days, I'd damn sure better be able to buy more than one book.  This was actually the only tie-in I bought 'off the rack'... and you can see the reason why... if you look at the top-left corner of the cover.  Ya see that?  Yeah, I used to love the way a #1 looked on the cover of a comic book.  Of course, this was before a time when two-thirds of an average comic fan's collection would consist of #1 issues.

So yeah, I was bit by the speculation bug.  Never saw this as an "investment" issue, for whatever reason... perhaps because I was planning to buy all the Eclipso stuff anyway.  As I've discussed here (and elsewhere), it wouldn't be until November that I started buying some DC with regularity... but that was for something that might actually warrant the unironic use of the #BestEventEver hashtag.

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We open with... sigh, Anarky climbing up the side of a building.  This is the building of famous sculptor Sergio Pantalone, who (I would assume) in earlier installments of the Eclipso annuals released some sculptures into the world with Black Diamonds on them... as black as a capitalist's heart, says Anarky... edgy.  Either way, our long-necked geek villain wants any diamonds Sergio has left!  I oughta mention that Sergio was watching the news when Anarky arrived, and the report discussed a "car of the future" powered by solar energy... and if you don't think that's gonna be important later, I dunno what to tell ya.



It just so happens that Robin is swinging by... well, okay he doesn't "just so happen" to swing by, he's on the job.  He sees that Pantalone's skylight has been busted up, and knows someone's beaten him to the punch.  Inside the artist explains that under the threat of face-melting, he handed over his remaining five black diamonds.  Robin glances out the window and, whattaya know, Anarky hasn't made it all that far!



Tim gives chase, and throws a Robin-rang at Anarky's swing-line... severing it... causing the baddie to plummet to an alley below.  Luckily there was garbage to break his fall, otherwise Robin might've just killed someone.  On the bright side, it would have signaled the end of this issue!



Robin swings down so they might have a chat... to which, Anarky drops the cutest, tiniest little smoke bomb.  He easily evades the Boy Wonder by leaving him in a... very tiny, cloud of smoke.  Like seriously... if Tim leans six inches in any direction, he's out of the cloud.



We follow Anarky down the street where he runs into a man who has recently lost everything.  His job, wife, car... you get the picture.  He's swigging some booze shouting at the Gotham People's Bank... blaming them for all of his problems, or at least drunkenly attempting to point out the hypocrisy of a bank being named after "the people".  Anarky sees him as an easy 'mark' for a black diamond.



It's not long before the man emits several plumes of black smoke which converge in the form of a beast-man with familiar Eclipso-ian word balloons.  Luckily, Robin meandered his way out of the four cubic feet of smoke to arrive on the scene.  Further, it's lucky he is armed with a solar flashlight... which drops the beast, unfortunately after it levels the bank.



Robin checks on the angry dude, and manages to reclaim the black diamond.  One down, four to go.  On his way to juvenile hall to follow up on Anarky, aka Lonnie Machin... who acts like a 14-year old because he is a 14-year old, he checks in with Batman to give a status update.  Once there he goes to log in to the baddie's computer, only to find it guarded with a dreaded passcodeword.  Whodathunkit?



Elsewhere Anarky is hiding out.  He stashes three of the four remaining black diamonds behind a false brick before readying a package for the mayor.  It's as though this fool is going for his junior-anarchists merit badge or something... the package is actually marked with the classic A-O anarchy symbol.  Yeesh.



Back at juvie, Robin is attempting to crack-the-code by trying to use names of famous anarchists... and when that doesn't work, he takes the chance-in-a-million shot of entering "codeword" as the codeword.  It works!  Which makes me realize that Anarky utilizes the same level of computer security as I used to when I worked in an office!  Good to know.



We rejoin Anarky as the Mayor is leaving a function.  He drops his package and flees.  The Mayor's security detail deduces it ain't a bomb by... well, opening it... great detective work there, slick.  No friends, it's not a bomb... it's actually a video tape.



Meanwhile, Tim's still a'typing and a'snooping.  We see that Anarky has access to Commissioner Gordon's files, and also that he is planning something he calls "the citizen's charter".  At the very same time, the Mayor is loaded into his limousine... where he pops the tape into the deck.  Why, it's Anarky!  And he's got himself some demands.  First: outlaw cars, second: double welfare payments, third: give homeless people houses, fourth: Commissioner Gordon fired and replaced by an elected citizen's committee.  I'd ask "What is he, fourteen?" but we already know the answer to that.



If his demands are not met, he promises to drop Gotham to its knees... and, as a sneak-preview for his powers, he intends to level the East Side Bridge that evening.  This takes us to... well, the East Side Bridge, which Anarky is sitting atop, black diamond in hand.  He says that he's been "careful" to hold in his feelings thus far... which seems a bit suspect, but we'll allow it... and now it's time to "really let rip".  He Eclipso's up (the moonface on his gilded mask is a nice touch) and destroys the bridge!



In a shocking demonstration of forethought, Anarky sets a solar flare to go off ninety seconds after he "lets rip".  It goes off just in time, and returns our boy to his non-Eclipsed self.



Back in juvie, Robin is copying all of Anarky's files.  Batman calls to check in on his progress, to which, Tim says he still doesn't know where Anarky might be.  Batman's all, "hey, maybe check the bridge that was just destroyed" and off he goes.  On the way out, Tim does notice some odd grains on the windowsill... and yeah, this will be important.



At the remains of the bridge, Batman and Robin plan their next moves.  Batman asks Robin to take a look around the Bradford Heights area, as that's where the Machin family stayed.  The morning comes, and before Tim can scadoo he must wait for his father to go away for the weekend.



With Pop out of the way, Tim hops on his ten-speed and heads to the heights.  He asks some of the locals if they know anything, but nobody's seen the family since they left the area five years earlier.  Nearby, young Lonnie is wandering the streets annoyed that, believe it or not, cars haven't yet been outlawed... and, there are still homeless people on the street!  He calls the Mayor to complain.



He reiterates his threats while the Mayor's staff traces the call.  One of the staff mentions the call is coming from Bradford Heights, causing Lonnie to tell them that if they're trying to trace the call... they can forget it.  B-b-but, they just did... right?  Anyhoo, Lonnie's annoyed, and hangs up the phone while a transient cheers him on.  Man of the people, that Lonnie!



Back with Tim, as he's about to give up the chase... he calls in to Alfred to inform him of all the "nothin" he found in Bradford Heights, when he happens to ride past Orlando Grain Millers.  Hmm... didn't he just find some grains on Anarky's windowsill?  The Boy Wonder Robins up, and wouldn'tcha know it, stumbles into Anarky's lair... which is helpfully marked with a giant A-O anarchy symbol.  He spots a marked map, and knows Anarky's next stop.



It's the Robinson Park Carnival!  And it's here we meet some teen-agers (tm. Bob Haney) who are engaging in some teen-age drama.  Ya see, Jimmy was dating Dinah, but then left her to be with Cindy.  Dinah didn't take this all that well, and when she confronted the couple, silver-tongued Cindy referred to her as a Dinah-saur (sick burn!) and pushed her into a garbage can.  I suppose I should mention here, the "dinosaur" thing's gonna come back around... 



Anarky is on a nearby tower plotting his next move.  He brandishes his black diamond, I suppose to look menacing while he monologues internally... and definitely not to set up the next scene.  Robin swings in, and kicks the baddie in the head, causing him to drop said black diamond, directly into the pocketbook of the irate Dinah-saur... which causes her to evoke a, sigh, dinosaur.



We rejoin Jimmy and Cindy as they are about to enter the tunnel of love.  They see the dark-dino and can hear Cindy's name being called out by its bestial voice.  Cindy's obviously a bit shaken, but Jimmy still wants to make out.  Ay yai yai.



The Eclipso-construct-dinosaur attacks, which causes Jimmy to flee... like ya do.  Before the beast can take a bit out of sweet Cindy, Robin swings in (I feel like I'm typing "Robin swings in" a lot) to save her.  He tosses some smoke pellets at the monster... and announces it, like he's an anime character pulling off a special move.



It's at this point that Anarky realizes he's going to have to work alongside Robin to take down the dino.  His attempts are rather less than successful at stopping the monster, but I suppose we can give him points for slowing it down.  The whole mishegoss wraps up at the roller coaster.  The dinosaur has Cindy in its mitts, Anarky is... somewhere... and Tim has commandeered the solar-powered car of tomorrow!



Which finally takes the beast down.



Robin rescues Cindy... and "thwips" Anarky.  As the pair of costumed-types leave the park, they comment on how they didn't make a bad team... ay yai yai... 



--

Well, for all the fun I poked at this during the synopsis, I didn't dislike this.  I suppose I oughta concede that I do consider this issue somewhat special due to nostalgia, remember where I was when I bought this, and what-not... but at the end of the day, it was a decent story.

The character of Anarky... for as annoying as he is... and, he most definitely is... he's a great example of a villain whose heart is in the right place, however, does not grasp the scope of what he'd demanding.  I think we all knew people like this in school... maybe you were like this in school.  You can see all of the problems in the world, and realize that there's an immediate and exacting solution for them... but don't think much further than that.  It's like sure, if all cars were taken off the road, the air would be cleaner... but then what?  If all homeless people were given homes, that'd be wonderful... but then what?  It's hard to swallow that sometimes things (and I hate this saying, because it usually feels like a cop out) "are what they are".

I am glad that Anarky is, in fact, a child.  It allows the writers to explore these concerns with a measure of naivety.  It's not subtle, but so few things are when you're an angry teen-ager out to fix the world.  I don't think I'd wanna go and seek out that short-lived Anarky ongoing DC put out in the mid-late 90's... but, as a one off villain, I'd say we could do far worse.

The Eclipso bent was central to the story, which is nice to see... it didn't feel "tacked on" in the slightest... which might be due to this being a special "on off" Annual.  Robin's own ongoing series hasn't even started yet (and wouldn't for over a year... though, there were miniseries') so this is very much a specified Eclipso special... starring Robin.  Pretty cool.

Overall, this is a silly story... but worth checking out.  I did give it a few jabs here, and it does drag here and again, but it's not bad.  I wouldn't pay cover price for it (again), and luckily, if you're interested... you probably won't have to.  This is almost always in the cheap-o bins (at least in my neck of the woods).  Can't imagine you'd have to pay more than a buck for this... unless of course, you want it digitally... then you're paying two bucks.

This wraps up my contributions to the #BestEventEver blog-cast crossover.  Before I go, I wanna thank them for including me... it's been a lot of fun, and I look forward to our next community-collaboration!

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--


The Darkness Continues...












Also remember you can follow along on Twitter using the hashtags #BestEventEver and #EclipsoTDW25



Wednesday, November 16, 2016

Bob, the Galactic Bum #1 (1995)


Bob, the Galactic Bum #1 (February, 1995)
"The Piker, Chapter 1: And the Maggot Cried 'Death'"
Writers - Alan Grant & John Wagner
Artist - Carlos Ezquerra
Letterer - Gaspar
Colorist - Dan Brown
Separation - Digital Chameleon
Assistant Editor - Peter J. Tomasi
Editor - Dan Raspler
Cover Price: $1.95

Some days we'll discuss straightforward no nonsense superhero books... some days we'll discuss some stories from an offbeat corner of the DC Universe... then, there's days like today.  Today we're discussing a book about an intergalactic bum.  I've had this book kicking around the collection for quite awhile now... and had yet to sit down and read it.  Guess we're gonna remedy that today.

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We open with a shot of what appears to be a train car as it floats through endless space.  It's occupants are the titular Bob the Intergalactic Bum and his bosom buddie Buck Fifty... and they're hungry.  They plot... well, Bob plots... all Buck Fifty seems to be able to say is "What?"... perhaps he is a Stone Cold Steve Austin fan.  Anyhoo... Bob plots ways in which to get them fed, finally concluding that they might eat Buck's coat.


After reading a page from the Galactic Handbook, Bob learns that it would take a full week to properly prepare a coat for consumption.  Fearing that by then they will have withered away to nothing, he decides to try sweet talking some snacks from the handy on board Vend-O-Matic machine.  The machine doesn't like the cut of his jib, and feels (feels?) that Bob may not be all that great at paying off his debts, so he is turned down flat.


Moments later, a video screen illuminates to inform the duo that there is a nearby spacecraft approaching.  They are engaged by the craft and soon joined by an alien critter with many tentacles hanging from its face.  Bob checks the manual again, and informs Buck Fifty that the best way to greet such a creature is to shake it's tentacles.  Well, Buck gets tentacles confused with... well, ya know... and shakes vigorously.  This is where there is a bit of a hiccup between the writing and art.  The writing makes it preeeetty clear that Buck shook one thing, but the art shows him holding on to a tentacle.  Here, you be the judge...


Not long after this encounter do Bob and Buck run into a... sorta-kinda space cruise ship called the S.V. Shimoni.  It's a fairly hoi-poloi craft where the elite travel the spaceways in style.  They are allowed on board... and are told they'll be fed and cared for, just so long as they stay away from their passengers.  So, of course... Bob bee-lines it over to start panhandling from all the wealthies on board... and he's actually quite successful.  People fill his hat with cash to make him go away... on a count that he smells... bad... see, the man stinks.


While Buck Fifty inhales a young child's hamburger, Bob continues harassing the passengers.  He comes across a blue-skinned fella wearing something sort of like a fez.  He seems to take a liking to Bob, however, he doesn't have anything vulgar like money on his person.  Bob dismisses him, calling him a "piker" (hey, that's the title of the story!) and walks away.


Bob and Buck are grabbed by the collar by a crew member, and tossed into their quarters for the evening.  They fulfill their promise of feeding them, by offering maggot and pickle sandwiches... which is, ya know... kind of vile.  What's worse is the maggots are still alive... and have the ability to speak!  Oh well.


The cruise craft is approach by some unfriendly travelers... the Khunds... which is a word ya probably don't wanna say out loud in mixed company.  Initially the baddies just pass by, however, they soon change their minds and lob a torpedo into the S.V. Shimoni.


It doesn't take the Khunds long to board the vessel, rob its inhabitants blind... and then kill said inhabitants.  These guys don't mess around.


Thinking their job done, the baddies leave.  Ya see, Bob and Buck hid out in a ventilation shaft.  As luck would have it, bad guys never think to check there.  All's well... however, our pals soon realize that they are not alone.  Why, they are joined by the "piker" from earlier!  How fortuitous.


The now-trio wanders through the wreckage and carnage of the Shimoni.  They happen across the ships escape pods and prepare to jam out.  Bob and Buck enter, and tell the Piker to go his own way.  In a moment of mercy... Bob agrees to take him along.  Here we learn that the Piker is actually the galactic prince Chazza of Gazza.


We begin our wrap up by checking in with Vril Dox and Stealth of the R.E.B.E.L.S.  After hearing what has gone down with the Shimoni, they realize they will have to intervene... on a count of Chazza having been on board.  Ya see, Chazza of Gazza is the heir apparent to five whole systems... ay yai yai.  Now considering the potential difficulty of this task, Dox decides to enlist the aid of... yup, the Main Man himself.


--

I feel like I'm saying this a lot, but... yeah... pretty decent issue.

The story... what there is of it, flows well... and we get a pretty decent indication of just how big a pest our man Bob can be.  He's very much, and you can tell this by looking at him, in the mold of a W.C. Fields.  Just more annoying... if that's something that's possible to be.

Of course this is... and we can tell by the cover... ultimately a Lobo story.  I'll plead ignorance in regard to his affiliation or constitution during this time... and I am utterly clueless as to what the R.E.B.E.L.S. were up to at this point in time.  

The art here is really quite nice.  Kind of evocative of 2000AD.  It has that clean-yet-scratchy look to it, which serves this story and these characters quite well... well, all except Lobo, who really doesn't look all that good in my opinion.

I know when I normally cover a book from the mid-1990's I often rag the muddy coloring.  I think the constant, up to this point, has been Digital Chameleon having a part in it.  Here, while still being a Digital Chameleon joint... the coloring looks really quite good, lush even!  I guess this just tells me that the muddiness is more to do with the horrendous mid-nineties glossy paper and less to do with the colorist(s) nor separator(s).

Overall... you probably don't need to seek this one out.  I have only seen this once "in the wild" and that was when I bought it.  Not saying this would be difficult to find, but I'm not sure it would be easy either... and honestly, it may not be worth the time nor effort.  It's a novelty to be sure, and if you love having weirdo books in your collection (like I do), I suppose you could do far worse.

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Sunday, May 29, 2016

Chain Gang War #1 (1993)


Chain Gang War #1 (July, 1993)
"Chain Reaction"
Writer - John Wagner
Pencils - David Johnson
Inks - John Dell
Letters - Bill Oakley
Colors - Steve Mattsson
Assists - Frank Pittarese
Edits - Dan Raspler
Cover Price: $2.50

... and now for something completely different...

Chain Gang War is odd... it feels like something that could only have been made during the 1990's, while at the same time sorta-kinda deal with some relatively contemporary themes and threats.

This feels as though it's a book for the 99% but produced in a time before that phrase was coined (at least popularly).  That having been said, this one certainly has the potential of being a "soap-box" title... I don't like soap-boxers, and I don't like to be preached to... regardless of whether or not I'm part of their particular choir.

With my fingers crossed, let's see if there's more to this one than all that...

--



Carlo Brunetti, millionaire "businessman" (criminal) has just beaten some charges in court.  He is approached by a news reporter, who provides us with suitable exposition to give this scene context.  Brunetti has the ability to buy his way out of trouble, and therefore appears to be "above the law".



That night, at the Brunetti lodge, three masked vigilantes prowl the grounds.  Through use of stealth and steel chains, they easily take down the security detail.  These are the members of the Chain Gang... and they're ready for War.



Inside, Brunetti is fuming over the way the news is covering his story.  He orders his aide to sic a fella who goes by the moniker "Animal" on the female newscaster to send her a message (ie. cut her up into little pieces, and bury those pieces across five states... that'll show her!).  Before they can act, the Chain Gang bursts into his study.


The Gangsters state that they are only there for Brunetti... and the rest of the crew can leave unscathed and unharmed.  Carlo thinks they'd been sent by his "business" rival Scipio, and has his goon squad attack.



This doesn't really impress the Gang, who rat-tat-tat, budda-budda-budda and whut-whut-whut's the goons til they're full of holes.  They kayo Brunetti and abduct him.



Later, Brunetti wakes up.  His ankles and wrists are shackled, and he appears to be in a small jail cell.  The only light peers in from a tiny barred window.  By the window's location, we get the impression that the cell is for the most part, underground.



The police and media are shortly on the scene of the Brunetti lodge massacre.  Shockingly, there were only three fatalities.  I could have sworn the Chain Gang downed a small army in the prior pages.  The information is shortly broadcast, including bits about Carlo Brunetti being currently listed as missing (and presumed dead).



We now meet Brunetti's rival, Scipio.  He is making a goodwill call to Carlo's son Sammy Brunetti to offer his condolences, and offer his support... he even invites him to his daughter's birthday party.  Sammy thinks Scipio's not only full of crap, but also responsible for the night's events.  After hanging up the phone, he orders an aide to sic the Animal on him (like father like son, I see).



The next day, we find ourselves in the apartment of a shaky man named Ernie.  His wife is asking him how his job search is going, and he admits to blowing it off.  When she protests, he hands her a wad of bills.  When asked how and where he got the cash, he tells her he'd done a job for "Yale" the night prior.  This does not appear to help matters in the slightest.  She fears that Yale is too dangerous a man to be in cahoots with.



Back at the cell, Brunetti is having a pizza delivered by the Chain Gang's very own personal warden.  We get the impression that the makeshift prison is in the basement of Yale Strang's mansion.  We also meet Yale, who's yakking in the toilet... sickened by how he had to commit several murders the night before.



After flushing (and hopefully brushing) Yale calls a fella called Curtis.  They discuss the events of the night before as well as the night to come.  We also learn that Yale's wife/girlfriend was murdered a couple of years earlier.



That night, at Scipio's daughter's birthday party, the Chain Gang plans to strike.  Just like before, they make short work of the security detail.  This time, however, they drip a trail of gasoline across the yard, and light a match.


Why yes, this book was written in the 90's... why do you ask?
Meanwhile, at a meat packing plant we finally (sorta) meet the Animal.  He's interrogating a poor sap named Charlie Smith... trying to get information about Scipio... which is odd, because his employer Sammy Brunetti knows full-well that Scipio is currently having a birthday bash... wouldn't it have made more sense to send Animal thataway?  Anyhoo... when Smith won't gab, the Animal uses a chainsaw to cut off his ear.



Back at the party, Scipio's aides are running around like buffoons yelling about the fire.  This draws the main man himself outside to see what the hub-bub's about.  The Chain Gang goes all Barney Fife and claims "citizen's arrest" before slapping on the shackles.



Gabby Scipio enters the scene to check on her daddy, and finds herself back-handed for her troubles.  These Chain Gangsters don't mess around!



They load Mr. Scipio into one of his cars, and drive through the gates to escape his property.  They bring him down to the makeshift prison, and unmask him in front of Brunetti.  Now they both get a better understanding of the situation they are currently in.  It's no longer a street war... it's something far worse (for them).



--

Ya know... all things considered, this wasn't bad at all.

It addresses something that has been at the root of DC Comics for as long as I remember, the ineffectiveness of their criminal justice system.  Lex Luthor is always doing something illegal, but (almost) never goes to jail... Arkham Asylum may as well open all their windows and remove their doors for as often as creeps break out of there!  Same with Iron Heights.

The Chain Gang fills a void... and I feel had this series caught on, could have been a lot of fun.  Imagine seeing someone like Lex Luthor or Two-Face locked up in their makeshift prison... imagine the possibilities.  Hell, imagine what the established DC hierarchy of heroes would think of criminals being abducted and held without due process!  Keeping in mind, this is the only issue I've read of this series... and the above may as well have actually occurred (at least in part) is still a possibility.

Is it unnecessarily violent?  Maybe.  The "ear cutting" scene was a bit much... though, it may have been in there to start providing a pattern of behavior for this Animal character.  Overall, though... not bad at all.

We get the impression that the Chain Gangsters are compelled to root out crime, and punish those above the law predicated on their own past experiences.  They're compelled... but, (physically) sickened at the same time.  We see Ernie shaking uncontrollably, and Yale losing his lunch.  I get the impression that the only fella actually enjoying the work is Curtis... who may well be a sociopath.  I also gotta wonder if the name Yale Strang is some sort of nod to Kim Yale and John Ostrander... maybe?

Funny, the more I think about it... the more I'm liking it.  This is definitely a story about justice for all, and yet, it doesn't really harp on it.  These are bad guys, that... for whatever reason (money, power, connections) have been able to maneuver their way through the system to the point of abuse... the Chain Gang is, in a small way, trying to tip the scales of justice back to "even".

I can't see this one ever being collected, but it shouldn't be too hard to come by if you are so inclined.  Shouldn't cost any more than a buck either, I got mine for a quarter.  Check it out if you get the chance... it may change your impression of what kind of story may lurk behind a foil-embossed (and thereby terribly difficult to photograph) cover!

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