Robin #42 (June, 1997)
"Crock Around the Clock"
Writer - Chuck Dixon
Pencils - Jason Armstrong
Inks - Robert Campanella
Colors - Adrienne Roy
Letters - Tim Harkins
Associate Edits - Jordan B. Gorfinkel
Edits - Denny O'Neil
Cover Price: $1.95
Howsabout a little "old school" Chris is on Infinite Earths today? Just going to snag a random ol' issue off the stack, and give it a go!
Was planning on continuing the To Catch The Predator series... but, I accidentally threw out the "key" to my longboxes. That is to say, my code-key, where I can tell which box holds what. The only labeling I do to my longbox library is numbering them, since series' often outgrow their home-boxes, I'm hesitant to just write what titles are in each one, know what I mean?
Anyhoo, can't remember where all my Green Lantern books are... and I dug through for a good twenty-minutes without any luck. We'll get there... just not today!
For today... we've got a weird li'l issue of Robin!
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Our story opens with a supermarket being held up... by a giant crocodile? Not just any crocodile, mind you... this is the cleverly-named Crocky Crocodile. This is a Barney-esque character who performs on PBS in the DC Universe. News of this crime spree spreads, and it's not long before Tim Drake is hearing all about it. He's beside himself with grief that someone would commit a slew of robberies wearing Crocky's costume! Alfred looks on, and... gotta say, he's really bringing the "droll" this issue.
Like, really... Alfred's being kind of a jerk here. He's acting very cheeky here the whole time. Robin even gives him a look like "What the hell, man?".
Tim hops in the Redbird and gets to scootin'. Alfred remains in the Batcave and watches some more of the coverage. At that moment, on the Cassie Josie talk show (think Sally Jessy Raphael), Mr. Bingo is being interviewed. Now Bingo was the "big show" on PBS until Crocky came on the scene. Anybody else's Spidey-Sense start tingling just now?
Meanwhile, at... I dunno, a halfway house (?) a disheveled fella is watching the same program... he begins cracking up and has to excuse himself to his room so he can hug on his Crocky. And, no... that's not a euphemism, shame on you for thinking it was!
Now, this Crocky-spree has done a lot to hurt the reputation of, ya know, the actual Crocky. Parents don't want their kids watching the show anymore... there are demonstrations in the streets. You'd almost think there was nothing else of note going on in Gotham City at the time! I mean, doesn't the Joker still hang out here?
At the Station, the toughest cop around Shotgun Smith is getting an earful about the evil-alligator... er, crocodile. He decides he's going to take care of this himself... which is kind of adorable. Outside the Precinct, he runs into Robin who offers to help out with the case. It doesn't take much in the way of convincing for Smith to hand over all they've got on the Crocky-crimes.
Over at Gotham PBS, a bunch of suits are in a conference room trying to figure out how they might spin this situation. Licensing season is about to kick off and they don't need their top cash-cow (cash-crock?) in such a state. The geeks put their heads together and decide it best to figure out who's actually committing these crimes... turns out, they already have a pretty good idea!
Back at the Batcave, Robin is checking out some evidence... and looking through a magnifying glass for extra-detectiveness. Alfred is still lurking about acting like there's something up his butt... makes me wonder why he's not just leaving Tim to his analysis. We learn that the Person of Interest in this case is Dexter Crabtree... the original Crocky Crocodile, who was kicked to the curb after a contract dispute over money.
Before we know it, Shotgun Smith is kicking in Dexter's door... he ain't home though. All's we see is a Crocky doll... so, we might assume Dexter's the dude who was going crackers for Crocky earlier?
Back at the Cave, Robin's doing some audio-analysis... and comes to some sort of conclusion that he doesn't really explain to we poor readers.
We hop to the Crocky set, where Shotgun is questioning one of the Executives. He (and we) learns that there were two Crocky suits stolen from wardrobe... so, mayhaps there're a pair of Crock-Crooks? Wouldn'tcha know it, just a few moments later... a pair of Crocky's enter the scene!
One heads to the set to perform... the other walks over to that Executive, Ellen Anders to chat with her. She judo-throws him down, and digs her knee into his throat while calling for Shotgun and Company to arrest this reptile!
And so, they do! Check this out though... it turns out, it wasn't the Bad Crocky! It was the other one who was makin' with the crimes! Heavens to Murgatroyd!
Robin swoops into the scene and delivers a flying kick to the crook... and after, woof, like four pages of fighting... it's revealed that - bad Crocky was: *gasp* Mr. Bingo! Why in the hell did it take Robin four-pages to beat up an old man?
Anyhoo, that's a wrap... Bingo's arrested, Dexter's back in the suit... and Robin heads back to the Batcave, where he reveals that the audio analysis tipped him off to who was the real "bad Crocky"... annnnnd, he's once again mocked by Alfred. Really, Alfred... what is up your ass today?!
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Well. This wasn't all'at great, was it?
Definite "filler" feeling here... what with the low-stakes story and the guest artist. Pretty underwhelming all around, with an ending I think we could all see coming from a mile away. The Dexter subplot reeked of "red herring" from the get-go... and, I never had any doubt that Mr. Bingo was the true baddie. Wow, I'm forty years old, and I just wrote that sentence. What am I doing with my life?
The art... for a fill-in, wasn't half bad. I enjoyed the sorta half-in half-out "manga influence" that started hitting western comics in the mid-late 90's. I definitely like the way Robin is depicted inside the book more than the "smelling something bad" face he has on the cover.
One thing that really stands out to me here is... Why is Alfred being such a prick? Like, did Tim do something to tick him off or something? There was really no call for such drollness and snark. I mean, if you don't wanna hang out with Robin... just don't hang out with Robin. This felt weird and out-of-character for Alfred... though, maybe there's some obvious context that I'm neglecting?
Overall... you really don't need to break your back nor bank seeking this one out. Unless Crocky's revealed as the Joker's next girlfriend in an upcoming "super-rare eBayable misprint" issue, there's not much to worry about here! It is available digitally... for about a buck fifty more than I'd recommend paying!
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Letters Page:
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Interesting Ads:
Action-Plus: The Atom (June, 1975)
"Nightmare in Gold!"
Writer - Martin Pasko
Pencils - Dick Dillin
Inks - Jose Luis Garcia-Lopez
Edits - Julius Schwartz
From: Action Comics #448
It's gonna be a short one today... uh, no pun intended.
Wasn't planning on dipping back into the Action-Plus well quite so quickly, but this weekend has turned into a podcasting X-Travaganza... and I just didn't have the time to dig for the next installment of the "To Catch the Predator" series of Green Lantern posts.
On the podcasting front... if you do follow my audio exploits, I got somethin' cookin'... I can't say with certainty that it's going to be "big", but I can tell you, it's going to be "long".
Stay tuned, my friends!
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It's time for some Action-Plus, starring the Atom! We pick up with the Ray Palmer starting to turn into gold... a result of his lab assistant, Enrichetta (groan) Negrini dreaming about him. Ya see, anything she dreams of (for the time being) transforms into gold. Luckily, Ray transformed into the Atom... which halted his transformation. Ya see, Enrichetta (groan) was thinking about Ray not the Atom. Ya dig?
The Atom follows some coffee stains to the basement door and down a flight of stairs, whereupon he finds Enrichetta... dreaming, and surrounded by a pair of nogoodniks... and plenty of gold. She begins dreaming of the bad guys... which begins their gilded transformation.
The Atom uses this to his advantage, and proceeds to beat the bad guys up. Worth mentioning that Ray's arm is still golden, so his punches pack a bit more of a wallop right now. Ray notices that Enrichetta is wearing a Philosopher's Stone that once belonged to an Alchemist... and deduces that must be the reason for the gilding. He yanks it from her neck... and it gets stomped on by one of the baddies... reversing the spell.
The day is saved, Enrichetta reunites with her boyfriend Roberto... and Ray hangs up on Jean Loring when she suggests they see some movies with "gold" in the title. Wonk wonk wonnnnnk. (wow, twice in one post!)
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Welp.
This back-up... ehhhhhh... you know how I sometimes feel about back-ups, and this Atom short did nothing to change my stance. This seems like a decent enough idea for a story, but it isn't given any room to breathe. The whole story could've been told in a single page... even forfeiting the bottom panel to shill Hostess Cup Cakes.
Green Lantern (vol.2) #181 (October, 1984)
"Take this Job--and Shove it!"
"One Night in a Bar on Lawrel-Hardee XI"
Writers - Len Wein & Paul Kupperberg
Pencils - Dave Gibbons & Don Newton
Inks - Mark Farmer
Letters - John Costanza & John Clark
Colors - Anthony Tollin
Edits - Len Wein
Cover Price: $0.75
When I decided to "change format" to covering shorter-subjects back in February of 2019 so I could focus on Grad School, I left a few "projects" incomplete. I did so out of either necessity, burn-out, or... in the case of today's feature, the fact that I didn't actually own a particular issue.
Now, looking at today's cover... I'd have bet my lucky dime that I'd not only owned the issue... but, had actually already covered it here on the site! Perhaps I'm stuck in some sort of odd Mandela Effect... and on the Infinite Earths site... on one of the actual Infinite Earths, I did cover it. But, on our actual Earth-Prime, it turns out... I have not!
The "project" I wanted to explore was something I was calling "To Catch The Predator"... obviously inspired by the old Dateline segment hosted by Chris Hansen (before he went wonky), where we'd examine all of the appearances of the weird pre-Crisis saga of... well, The Predator. This is a character/concept that has confounded many... myself included! I'm looking forward to picking up where we left off o'so long ago.
If you need to catch up, which considering I dropped the ball on this series about a year and a half ago you just might (I know I did!), you can check out the first two parts of this "epic" by clicking the covers below!
If/When we get a few more chapters under our belt, I'll set aside a dedicated TCAtP page in the sidebar.
Before we hop right into it, a warning. Some of what you're about to see is explicit...ly weird. Reader discretion is advised.
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Stop me if you've heard this one... our issue opens with Hal Jordan on his way to Oa to give the Guardians a piece of his mind... and quit the Green Lantern Corps! Yeah, that's more or less just "Tuesday" for our man, Hal... but that's exactly what he's headin' off to do. He thinks about how his off-world exploits have kept him from keeping Carol Ferris, the love of his life, safe. The panel layout here makes it look like Carol's got a Ben Franklin/Void Indigo haircut.
Hal continues his space trek, all the while waxing philosophical about whether or not he's making the right choice in quitting the ring-sling. His inner monologue is interrupted, however, when he is pummeled by an errant meteor storm. Well, maybe it's not that errant...
Back on Earth, Carol is interviewing John Stewart to see if he'd be interested and able to repair the recently destroyed Ferris Aircraft. She tells him he comes highly recommended, and learns that flattery will get her everywhere. John signs on for the rebuild.
Over in Washington, D.C., all-around pain-in-the-butt Congressman Bloch is wondering what might be in his future... the Monitor (yeah, that Monitor) hasn't gotten back to him, and he worries that the Demolition Team will turn him in for contracting them to fubar Ferris. He enters his office, and much to his surprise... he's about to have a run-in with: The Predator!
Oh yeah, he's probably unaware that the Predator is going to kill him too. A bloody Bloch shambles out of his office... and collapses at the feet of, of all people, Diana Prince and Steve Trevor. He whispers something about Hal Jordan being Green Lantern before perishing. Wonder Woman insists to Steve that Bloch's last words didn't mean anything. Fair enough...
Speaking of Hal Jordan, we rejoin him in space... where we learn the cause of that meteor storm: Hal's fellow Green Lanterns! They know of his plans to quit the Corps, and are here to attempt to talk some sense into him. Katma Tui takes this especially hard, and even wallops Hal with a construct-fist when it doesn't look like they're going to be able to change his mind.
All Hal can do is ask them to a) understand, and b) forgive him. He leaves the Corpsmen on an asteroid, and continues his lonely (final?) flight to Oa.
Back in Los Angeles, we pop in on Clay Kendall's hospital room where he's recovering from a broken back. April is there, trying to convince him that it won't be long before he's back on his feet... we get the feeling, however, that Clay ain't buyin' none of this.
Hal arrives on Oa... and is shocked to see that the Corpsmen he abandoned have beaten him here. Tomar Re begs Hal to take this one last moment before stepping in front of the Guardians to truly consider his actions. Hal tells 'em to bug off and barges into the Guardians' Council Room.
Of course the li'l blue guys know exactly why Hal is here... they claim that, due to recent outbursts, they've been monitoring him pretty closely. Our man delivers the "You said 'jump'... I said 'how high'." spiel, and basically tell'em to go suck an egg. The Guardians give him a moment to reconsider... so, dude's getting a whole lot of chances to let cooler heads prevail... but, Hal's adamant that he's doneski.
Next we know, Hal Jordan is rendered ringless and, by extension, powerless. The rest of his Corps pals rush in... and say what might be their final goodbyes to the former "best of them". Funny, Hal calls Arisia "little sister" here, which only makes their statutory romance all the more gross. Looks like this is an issue with two Predators in it!
Back at Ferris, Carol's father is holding a meeting to introduce John Stewart to the team. He also... uh, celebrates... the murder of Congressman Bloch, which... I gotta say, probably isn't the best look. Anyhoo, the meeting is interrupted by the arrival of... a man called Smith! Could this be our Predator? Might it be a red herring? Well, the story is over thirty-years old, so we already know the answer to that.
We wrap up later that evening at Carol's beach-house. Hal arrives and lets her know that he's kicked the ring-habit and he'll never leave her again. The story closes with Hal wondering if he's done the right thing. If only he was given more opportunities to reconsider... right?
Our Tales of the Green Lantern Corps back up opens on the planet Lawrel-Hardee XI... which, I dunno, sounds like I place I'd definitely wanna hang out! Probably pick up some hard-boiled eggs and nuts there. Anyhoo, we're inside a bar that looks/feels a lot like the Star Wars cantina... where some Space Pirates are relaxing while playing some high-stakes somethin'rnother.
A little fella enters the bar, and bee-lines it over to the Pirates. Looks like this critter's here to enforce some law, but he is shoved away by the baddies. It's here that it's revealed that this ain't no ordinary Jawa... this is Green Lantern, Ch'p!
He's here because he witnessed the Pirates attacking and destroying a Luxury Liner in space... killing many an innocent in the name of plunduh. Ch'p would'a taken them out right then and there... however, the Pirate Cruiser just so happened to be: Yellow!
And so, he followed them to Lawrel-Hardee XI... where he's fully prepared to beat the hell out of the lot of 'em, and well... that's exactly what he does.
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A very important issue of Green Lantern... not that Hal quitting the Corps is especially novel (though, it was more so back in ye old '84), but still... a lot of pieces were put into place here. There's a fair amount of "soapiness" here... which, as a life-long X-Men fan, I can't help but to enjoy.
Let's get the Predator out of the way. The character only appears on a single page, and they kill Congressman Bloch. Later on in the issue ol' Slender Smith saunters into Ferris. Now, I don't wanna completely spoil the reveal (even though we actually covered that issue here on the blog back in the long ago), but I gotta assume the Smith appearance was intentional to allow us to make an assumption or two about the mystery baddie.
Back in 1984, that might've been a bit underwhelming a reveal... new bad guy and similarly-sized new civilian arrive on the scene around the same time... and are revealed as being two sides of the same coin. Feels a bit "comicbook-lazy", dunnit? Well, if you already know the actual reveal, you'll know that it's more than a bit "comicbook-insane".
I dig John Stewart entering the "main cast" here, and I feel like having him come in as the lead architect on the Ferris-rebuild project is a very creative way to do so. John's a great character... and I really like him taking the job even without the guarantee of a salary.
Let's get to Hal. He's wracked with guilt over not being there for Carol and Ferris Aircraft during the Destruction Team's rampage. Now, Hal has some trouble in the calibration department... with him, it's always "all or nothing". Rather than attempting to reason with the Guardians... maybe pleading a case for taking a break, or whatever... he heads to Oa and pulls out the tired old "When you said 'jump'..." baloney.
We've all had jobs before right? A boss telling you what to do is kind of part of that whole scene, innit? I always hate it when Hal complains that he has to answer to his bosses. Just feels petulant and immature... which, I suppose might be the point? Anyhoo, he gets what he wants... only to realize that he might've made a terrible mistake.
Our back-up feature... which, I wasn't actually planning on covering today. Considering we're doing Action-Plus features these days, I just figured I'd save this for a one-off. Well, when I saw that this one had a reference to Laurel and Hardy, I decided to make an exception. Which brings me to my main criticism: If you're going to so blatantly reference Laurel and Hardy with the title... gimme a li'l something Stan and Ollie-related in the story!
The story was... ehh, not much to get excited about. Ch'p tracks some pirates to a bar, and beats them up. Yay? I will say, however, that Don Newton's take on Ch'p was awesome! Probably the best I'd ever seen the character drawn! With a character like Ch'p, it's easy to take it to a cartoony extreme. Conversely, it's probably just as easy to just draw an actual squirrel wearing a green ring. Newton, however, blends the mundane and fantastical elements of the character superbly. I really can't say enough how amazing Ch'p looked here! It's too bad the story was kind of a dud.
Overall, this one was well worth a look... Predator-completionism or not! Very important chapter in pre-Crisis Green Lantern lore, with wonderful art in both features. This issue has been collected in the first of the Sector 2814 trades and is available digitally.
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Letters Page:
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Interesting Ads:
Action-Plus: Great Frog (June, 1974)
"Young Man With a Drum!"
Writer - Elliot S! Maggin
Pencils - Dick Dillin
Inks - Tex Blaisdell
Edits - Julius Schwartz
From: Action Comics #436
It's time for some Action-Plus starring Green Arrow Great Frog! Yeah, Ollie gets enough shine in the world of comics analysis, and so we're going to give this one to the hottest rock group of the Bronze Age... we got Roy Harper on drums... and a couple otha' guys doing other musical things... it's Great Friggin' Frog!
Great Frog is one of those weird Bronze Age deals that I have a very strange fascination with... can't explain what I dig so much about Roy Harper in a band... but I do!
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We open with Dinah giving Ollie a clue she found regarding a fencing ring. It's a "professional quality" guitar string, which was found in an expensive camera which was stolen from Milwaukee... but fenced in Star City. Ollie decides to look into some local rock bands...
... including, Great Frog! It looks like they're performing in front of a packed house... of gravel. We'll just assume those are heads and not rocks, right? Anyhoo, Ollie is surprised to see his old ward Speedy beatin' the tom tom on stage... which sounds much more disturbing than it actually is.
Ollie heads backstage to take a look at Great Frog's equipment... he finds a snare drum with a false bottom... which conceals, you guessed it... expensive cameras! Seems whoever's behind this ring, is using unwitting rock bands to transport stolen goods. It's actually not the worst idea... though, it is a pretty big conclusion to jump to, ain't it? I mean, it wasn't all that long ago that we learned Speedy was a junkie, right? Might stand to reason that he's a willing accomplice, right? Nahhh... Ollie's certain that Roy is well aware of the situation, and is conducting his own investigation at the same time.
After the show, Ollie goes to confront Roy about the shady dealings... almost giving him a pat on the back for his "undercover" work. Just then, Roy's "agent" Archie enters the backstage area and demands to know what a "costumed clown" is doing there. Roy responds by... socking Green Arrow in the face!
On the way out of the dressing room, Roy (very obviously) tosses some sort of device at the "kayoed" Green Arrow. When the rest of Archie's goons go to "dispose" of Ollie, they get their butts kicked.
We move ahead to the offices of the Mammoth Booking Agency where Roy is invited to join up full time in their operation... which includes both stolen goods... and drugs! Also counterfeiting, but I don't think Speedy was ever addicted to that. No sooner do the Mammoth folks spill the beans, than Green Arrow bursts through a window. Ohhh, so that's what the device was.
Ollie and Roy proceed to beat up the Mammoth guys... while Roy monologues about how they've been taking advantage of kids. Ollie's all "yeah, I figured that out four pages ago". Finally, the boss man agrees to talk.
After the Mammoth's are hauled off to jail, Ollie pulls Roy aside and lectures him on the dangers of being too headstrong. He tells Roy that if he ever feels like he's in over his head, to let him know. Yeah Ollie, just like when he was strung out, right? You were real helpful then. Roy calls him on his BS, and walks away.
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This back-up... you know, when covering an entire issue, I usually just "tolerate" the backups... however, with this one... the greatness of Great Frog notwithstanding, we actually get some followup on the "temperature" of the Roy/Ollie relationship. This feels like vital and necessary reading if you were a fan of those characters. Roy and Ollie's relationship has been shaky for a little while at this point... and it's neat to see them sorta-kinda confront that.
I did find it interesting that cynical old Ollie's initial assumption is that Roy must be conducting an investigation... rather than being a party to the crime-ring. I mean, he'd been burned by Speedy before... so, it wouldn't be outta the realm of possibility that he'd relapsed. I like that Ollie didn't even consider it. These days, it feels like Roy is pretty much defined by his heroin addiction... seems like everybody second-guesses his motivations, assuming he's doing whatever it is he's doing just to score his next "fix". It was refreshing to see that wasn't the case here.
I dig that Roy kinda tells Ollie off at the end. It makes complete sense. The guy who's offering him help, is the same guy that booted him from his house while he was addicted to drugs! Kinda speakin' outta both sides of yer mouth there, Ollie.
The art here was pretty great. Dick Dillin isn't one of those artists I can immediately identify from his work... but, any time I see it, I love it! There's a fella we lost way too soon.
Overall... a fun backup (a fun issue overall, actually), that might just be worth the hunt... don't let it break your bank though... unless you're a Great Frog completionist (and if you're not, you should be!). I suppose if you wanna be a trade-waiter, there's bound to be a Great Frog Omnibus in the works... right? Right?!
BIZARRO BREAK #9 (Batman)
"The Power of Positive Batman"
Writer - Aaron Bergeron
Art - John Kerschbaum
Edits - Joey Cavalieri
Heyyy, two #BizarroBreak installments in one week? Yeah, again, sorry 'bout that. I did warn early on, however, that we might have some "BizarroBinges"... and, I guess we're having a sorta-kinda-mini-binge right now!
With today's installment, I do believe we are officially 1/4 through the Bizarro World hardcover... why, that didn't take long at all! At this rate, we'll be done with this thing in... err, September?
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Our story opens in the office of Dr. Milliken, Batman's psychologist. Batman swoops in through the window for a session... and decides, after all these years... it's time for him to let go of the past, and stop being Batman! He removes his cowl, revealing himself to be Bruce Wayne... which really freaks the Doc out! Milliken wonders how Batman came to this conclusion... and suggests it might have to do with that silly Christmas song about how bad the hero smells! Hey, speak of the devil...
We jump over to Stately Wayne Manor, where Bruce is packing his bags. Suddenly, the Bat-Signal illuminates the sky above. Surely, our hero will answer the call... right? Well, he answers it all right, just not the way we're accustomed.
Over the next few days, Bruce continues taking steps toward letting go of his life as a crime-fighting caped-crusader... which really grinds the gears of his now-former rogues gallery! The Joker, Riddler, Two-Face, and Poison Ivy pay him a visit to try and get him to take up the cape again! We could go into all those scholarly discussions about the duality of heroes and villains, and how they are reliant on one another to exist... but, instead we'll just have a chuckle at the silly scene.
After a yard sale, where Bruce dumps all of his wonderful toys, he goes to load himself up into the former-Batmobile. He is stopped by Wonder Woman, who tells him he's a valuable member of the Justice League... and she'd like to see him back in the tights. He tells her, she's got a beautiful pair of lips, and he'd really like to kiss 'em.
Time passes, and Bruce is out on a pontoon in the middle of the Pacific Ocean. Superman is able to track him down, and decides to pay a visit.
Bruce pipes up right away, insisting he won't be coming back... to which, Superman is totally cool! In fact, he's here to join him! And so, we wrap up with Bruce and Clark lazing away the rest of their lives on a pontoon in the middle of the ocean.
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Another fun chapter of Bizarro World... well, up until the ending anyway. Here we have Bruce Wayne doing the unthinkable... well, maybe not "unthinkable" in 2020... who even knows what's going on at DC Comics these days? Not even the people "working" there. But, here - Bruce Wayne "gets over it"... and decides to stop being Batman.
We see the silly ripple effect this causes, effecting everyone from the Gotham P.D., to the baddies, to his fellow Justice Leaguers. And, ya know, it's fun. Not much to actually "say" about all of it, but I can tell ya, I chuckled a time or two.
The ending... I thought was rather weak. Not really sure if it was trying to necessarily "say" anything... but, to me, it fell flat. They can't all end strong, I guess. I did have a good time along the way, and sometimes that's all we can hope for!
Next #BizarroBreak: Aquaman... Unplugged!
