Wednesday, October 12, 2016

Superman (vol.2) #84 (1993)


Superman (vol.2) #84 (December, 1993)
"Toys"
Writer/Penciller - Dan Jurgens
Finished Art - Joe Rubinstein
Letterer - John Costanza
Colorist - Glenn Whitmore
Associate Editor - Frank Pittarese
Editor - Mike Carlin
Cover Price: $1.50

It's Halloween in Metropolis... what could possibly go wrong?

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We open on a disturbing scene featuring the new-look Toyman.  He's in his... nursery... hideout... and we can see that he has three children locked up in a jail playhouse.  They plead to be released, but Toyman ain't hearing it.  He tries to tell them that what he's done is in their best interests... as the world outside... their parents' world is a very bad place.  He demonstrates this by having a G.I. Joe-esque action figure fire a blast at a Barbie-esque doll.  From here he goes to bed... and, get this... he sleeps in an over-sized crib.  Creepy dude.  All throughout this scene we see several newspaper clippings in reference to the child abductions.


We shift scenes to Superman as he pulls a storm-stranded ship to shore... say that three times fast.  He does so with the quickness, and using his x-ray vision, is able to see a sunken Spanish galleon under the sands.  He digs down and retrieves a treasure chest... which I'd have to assume becomes at least somewhat important in a later issue.


From here he returns home to Metropolis... where he surprises Lois to an all-day trip to Paris, France.  Lois questions the irresponsibility of such an act... as she slips into her little black dress.  Clark points out that it's Sunday... and Halloween... and nothing will go wrong.  Hmm...


Later on we join Cat Grant and her son Adam as they arrive at a Halloween party at the school.  Young Adam is decked out in his Kon-El gear... which looks awesome.  He even corrects his mother when she refers to him as Superman.  The school has gone all out... even hiring costumed entertainers... like Turtle Boy!  And a pastiche on Barney the Dinosaur.


Adam runs off to hang with his pals... none of whom have nearly as cool a costume as he does, when our phony Barney waddles up to offer him a cookie.  Adam's all "beat it"... which leads our dino to reveal that there are some video games in the next room.  Not just video games, mind you... superb video games!  Now, I've played a game or two in my time... I don't think I've ever used the word "superb" to describe any of them... I will now though!  Anyhoo, Adam can't fight the lure of the Lextendo, and heads off with the Dinosaur... alone.


Meanwhile, in Paris... Lois and Clark are having a grand old time.  They're taking in the sights, and rediscovering one another.  They promise not to take things for granted anymore as they sit down to a romantic dinner.  Of particular interest, Lois ponders what would have happened had Clark landed in the Soviet Union.


Back in Metropolis Jimmy reports to Cat that there's no sign of Adam.  One of the kids said they saw Adam leave with a man in a dinosaur costume... to which, Jimmy reports that the agency did not have any record of sending anyone in a dinosaur suit to entertain.  Things suddenly go from urgent to sobering as the pair realize what horror may be facing them.


We travel to the Toyman's lair where he's deposited young Adam.  The lad mocks the Toyman's old timey toys, which sets him off on a diabolical lecture... during which, Adam sneaks away.  He comes across the toy jailhouse.  They beg him to find a way to let them out... and as luck would have it, there is a screwdriver on the floor.  Adam is able to free the kids, and even summons his inner Kevin McAllister by kicking over a bucket of marbles to trip up the Toyman.  Though the baddie hits the ground, he is able to grab Adam by the ankle... we see the Toyman raise his knife... and then, only blood.


Some time passes before we rejoin Cat and Jimmy.  They are at the Daily Planet offices waiting to hear from the MCPD.  Officer Turpin arrives... hat in hand.  He stammers a bit... apologizes that he's not very good at "this part" of his job, and directs her attention to the person he'd brought with him... a priest.  I think this was a missed opportunity.  This is all on the same page... however, if the reader had to turn the page to reveal the priest, I think it would have had more impact.  Up to this point, we don't know that Adam is dead.  I would assume that many readers would think that the person with Turpin was Adam... 


Cat is lead to the morgue... and all is confirmed.  Adam Grant is dead.


Later still, Lois and Clark return from their European excursion and appear to be happy as clams.  The Daily Planet they return to is a very different place than the one they left.  Jimmy immediately gets on their case for not being there... what he thinks Lois and Clark could have done to stop this from occurring is beyond me.  The Kents learn what happened to Adam... and Clark learns that when it comes to Supermanning, there are zero days off.


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Hey, who put a Batman story into my Superman comic?

Now this was a pretty hardcore issue, no?  You really wouldn't expect to see a child murder go down in an issue of Superman.  We'll delve deeper into that in just a bit... first, we'll discuss the non-Adam-getting-killed aspects of the book.

First, loved Adam's Superboy costume.  That looked pretty damn cool.  He's always had a bit of a hate-on for Superman... which made it cool when he corrected his mother for referring to him as such.  It was also something of an inversion on Kon-El's arrival... everyone called him Superboy, and he would get annoyed and correct them... here's Adam doing the exact opposite.  Very cool.

Lois and Clark finally get a "night off" and decide to live it up for a day in Paris.  I'm glad attention was drawn to this.  Superman doesn't punch a clock... and doesn't take days off.  He chose just a regular fall Sunday to indulge... and, it just so happens to be the day that his friend Cat's son gets abducted... and murdered.  We're almost in Peter Parker territory here... I almost expect the next several issues to begin with Adam's ghostly floating head of guilt giving Superman a hard time.

Speaking of giving Clark a hard time... what the hell, Olsen?  Dude was going off as though Lois and Clark's presence could or would have changed Adam's fate.  That's a whole lotta responsibility you're piling on a dude you don't know is Superman... I get that he was frustrated... so, I can't be too hard on him... but it did feel a bit harsh... like it would have only made sense had Jimmy known that Clark was secretly Superman.  Even if he did, there's no guarantee that Superman could have stopped this... and, really... if it wasn't Adam, it would have been another child.  A hollow victory, if you can even consider it that.

Now... Toyman.  I'll concede I don't have a ton of experience with the character.  I understand that this is quite a departure from his original take... and he was a much goofier fella before.  Here he is incredibly creepy.  I mean, dude sleeps in a giant crib... and keeps children as (literal) playthings.  I suppose I should count my lucky stars this wasn't produced in the past ten years, otherwise I'm sure we'd have been treated with a shot of Toyman wearing a diaper.

Onto Adam... this really is a brilliant way to do this.  I mean, Adam... let's face it, Adam's a jerk.  He's not a lovable kid... he didn't ingratiate himself to the cast or the readership... and that's why this works so well... that's why it had to be him.  Child abductions are, unfortunately, something that happens in the real world.  It could happen to a nice child... or a jerk, psychopathic kidnappers often don't discriminate.

Of Adam, we can say that he went out as a hero.  He was trying to free his fellow captives when it all went down.  Of course, at this point that's just between him and we readers... and that works as well!  Not that anybody in the cast would be happy that something horrible befell him, but they may actually struggle to think of his good points if put on the spot.

This story's true strength... at least to me, is that it is all predicated on being in the wrong place at the wrong time.  Adam just happened to be at the Halloween party where a talking dinosaur solicited kids to play his Lextendo.  Having done a tremendous amount of research on missing children over the past few years... that scene... well, I can't say it "hit close to home"... but I can say that it raised quite a few red flags.  Even the safest places have the potential of being the most dangerous.  This kind of thing can happen anywhere at anytime.  It's sobering, disturbing, and if you let it... maddening.

This is a landmark issue during a landmark Superman run.  One of my higher recommendations.

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Tuesday, October 11, 2016

Superman #422 (1986)


Superman #422 (August, 1986)
"Dark Moon Rising!"
Writer - Marv Wolfman
Penciller - Curt Swan
Inkers - Larry Mahlstedt & Tom Yeates
Letterer - John Costanza
Colorist - Gene D'Angelo
Editor - Julius Schwartz
Cover Price: $0.75

While I'm still relatively new to the comics blogging world, it's not often I get a whole lot of feedback... much less that of the critical variety.  I have received a handful of critical messages... which really comes down to how it seems like I enjoy everything I discuss and review.  I'll admit to the fact that there are very few negative reviews here at the ol' blog... not due to my being a DC "homer" or anything... just for the fact that I'd much rather revisit and discuss stories that I enjoy.  There's plenty out there that I don't dig... as well as a bunch that I think is just plain lousy.

That brings us to today's Boo, Haunted Blog feature... a just barely pre-Crisis offering from the Super-folks.

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We open with a man being chased down a back alley.  He is injured and bleeding, and the mob grows closer.  He cuts down into the subway tunnels and onto the tracks... the mob is still hot on his trail.  He suddenly undergoes a transformation... his teeth grow sharp, and the bottom half of his face forms into a monstrous lupine muzzle.  Our man is a werewolf.


He lashes out at his pursuers... but of particular interest, it does not appear as though he is trying to harm them (though the hunger is there)... he simply wishes to get away.  A train comes barreling down the track, and our werewolf friend leaps though the conductor's window to facilitate his escape.  Again... although his instinct is to feed on the poor conductor, he does not harm him.


The conductor radios for help... a call which is overheard by Superman.  He soars down to the subway, and before ya know it... he's standing before the werewolf... who promptly whups his big blue butt.  I've never been completely clear on Superman's magic weakness... with my admittedly-limited pre-Crisis knowledge, it always felt as though they used it in whatever way best served the story.  Anyhoo, during the fight, the werewolf scratches Superman's cheek... actually drawing blood.  With Superman down and out, the werewolf flees.


Superman pulls himself together just in time to realize that the train is a runaway... something he'll most certainly have to address.  In the periphery, he notices a woman about to be struck by a car... before he can decide which event to deal with first, the woman is rescued... by the werewolf.  Very curious... Anyhoo, Superman rights the train, setting it down gently without any injury or harm coming to the passengers.


Later, Superman takes some blood from his facial wound and tests it on the Super-Computer at the Fortress of Solitude.  He has a sneaking suspicion he just had a run-in with a werewolf... like, duh... but performs the analysis just to be certain.


Meanwhile in Metropolis... the werewolf attacks an armored car, stealing it's loot and murdering the driver.  We shift ahead a bit to find the werewolf huddled in a corner where he changes back to his human form... while at the same time, we get a glimpse of a crew of scientists who, fearing for their safety, are dead-set on tracking the werewolf down.


The following day we rejoin Clark at the Daily Planet.  Lois is getting ready for her big date with famous movie-star Jonathan J. Wyatt.  Jimmy's impressed... and calls J.J. a hunk.  Clark is... less impressed, and refers to J.J. as a "wolf"... and, no... spoiler alert... he ain't the werewolf.


Superman returns to the Fortress for his test results, and wouldn'tcha know it... he was in a tussle with a werewolf.  Before he can think on it much more, Inspector Henderson calls in a video S.O.S. directly to the Fortress.  Apparently, a group of scientists from... ahem... Lupus Labs have information on the werebeast.


Meanwhile in Metropolis... a jeweler leaves his store carrying $300,000 in jewels in a briefcase.  The werewolf is laying in wait... and when the time is right, springs into action... killing the man and stealing the loot.  Superman arrives just in time to "call it", and proceeds to pursue the werewolf thief.


In the chase, he just happens to run directly into the scientists from Lupus.  They are quick to spill the beans on our werewolf pal... ya see, they were trying to cure blood diseases and began experimenting with radiated blood.  They learned pretty quick that lycanthropy was a result.  One scientist, Lawrence, had just gone through a messy divorce and decided it would be a wonderful idea to steal the serum and use it himself!  As luck would have it, there is still time to cure him... just so long as they do so before tomorrow night's full moon.  Superman strokes his chin pensively... he appears to be on to something.


A bit earlier, we saw the werewolf enter an electrical plant... we now check in with him again, only to find that he is trying to electrocute himself to rid himself of the wolven curse.  Before he can seal the deal, Superman swoops in and socks 'im in the jaw.  Well, this don't make ol' Lawrence happy... and so, he thrashes Superman again.  This time, however, he adds a bit of insult to injury in that he... get this... steals Superman's costume... leaving him completely naked!  Whaaaaaaaat?


The Superwerewolf takes his leave, and Nuderman bee-lines it to a sporting goods store where he... I'd have to assume... super-speed-steals a tracksuit.  The following morning, we get a bit of Lois drama.  She thinks she's been stood up by J.J., however receives two-dozen roses as an apology for his being "fogged in" in Los Angeles.  Lois is so excited she promises that she'll be "howling" that night.  A-hem.


Clark asks Jimmy to do some digging on Lawrence Thomas, and Jim is able to provide him with the new address for the ex-wife and their two kids out in Santa Monica, California.  Superman high-tails it west, and gets the deets on LT.  It isn't long before Superman tracks his man... who is really very apologetic for all he's done, and is ready and willing to spill the beans on everything.


We check in with the scientist again... and everything comes to a head.  We learn that the scientists are ALL werewolves, and Lawrence was the only one still with-conscience.  They wanted him "cured" so he would not be their equal.  It was they who murdered the armored car driver and jeweler.  Lawrence has not killed anyone.  Superman claims to have noticed that Lawrence is left-handed... while the murderers were right-handed.  Yeah, that's the ticket, Mr. stripped-naked.


And so, a battle rages.  Superman is overwhelmed by his magical foes... it is left to Lawrence to figure a way out of this one.  As luck would have it, Metropolis is in the midst of a lightning storm.  LT yanks an... antenna?  flagpole?  long metal pole out of the roof of the building and uses it as a makeshift lightning rod... taking out all the evil wolfmen, and curing himself in the process.  Superman informs him that he was the hero on this day... and we close out the pre-Crisis Superman with a corny "wolf" joke.  Which, I suppose may be apropos, considering the surname of the fella writing it...


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Yeah... not Marv's best work.  This was kind of a dud.

I suppose this may be due to this being the, for all intents and purposes... final issue of this volume of Superman.  The following issue would be part one of Whatever Happened to the Man of Tomorrow? and the issue after that picks up with the Man of Steel continuity.  Maybe that's why this one is so weak... just filling time until the shift.

This story didn't even seem to need Superman in it.  The "good" werewolf neutralized the threat with his makeshift lightning rod... all Superman did was, um... get scratched in the face... and, uh... get stripped naked.  I mean really, the dude was stripped completely naked after a fight.  Definitely not his finest moment, right?

Not a whole lot more to say on this one.  It's got an amazing (and scary) Brian Bolland cover... which nothing on the inside has any hope of living up to... both written and drawn.  Again, it just feels like an inventory story that they had to roll out before Man of Steel... or hell, maybe Bolland just drew an awesome picture of a werewolf Superman that DC wanted to use, and had Marv write a story around that?  Who knows... I'd say sure-fire skippable if it wasn't for the cover.

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Monday, October 10, 2016

Superman (vol.2) #180 (2002)


Superman (vol.2) #180 (May, 2002)
"The House of Dracula"
Writers - Jeph Loeb & Geoff Johns
Penciller - Ian Churchill
Inker - Norm Rapmund
Colorists - Tanya & Rich Horie
Letterer - Comicraft
Assistant Editor - Tom Palmer, Jr.
Editor - Eddie Berganza
Special Thanks - Joss Whedon
Cover Price: $2.25

Superman vs. Dracula?  Now how can that not be the best thing ever?  I mean... just check out that cover, how ya gonna resist that?

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Welcome to the Castle Rominoff, home of the creepy ol' Count Rominoff.  Lois, Clark, and Jimmy are visiting in search of an interview.  We learn (or it is restated) that General Zod is now the ruler of Latveria... I mean Pokolistan, a small (but growing) country who shares a border with Rominoff...ia.  The Count calls for his busty concubine Elizabeth to show the three Metropolitans to their rooms.  She takes an immediate interest in our favorite ginger.


That night, Lois is awoken by a calling of her name.  She gets out of bed and walks, as though in a trance, toward the window where she is met by a thick fog... which she steps out into... and which brings her safely to the ground.  Clark wakes up as she leaves.


Outside, Lois continues walking through the castle grounds as pairs of glowing red eyes follow her every step.  She is suddenly snapped back to reality, just in time to be jumped by a pack of werewolves.  Luckily for her, Superman just happens to be in the neighborhood.


He makes short work of the wolves, while Count Rominoff reveals himself (not like that, pervs) to Lois.  He asks if she brought "him", as his bared fangs approach her supple neck.  Again... luckily for her, Superman is nearby.  He swoops in and nabs her, while the Count expresses pleasure that the Man of Steel is in "his land".


Superman brings Lois back to their room... and it seems as though she is back in her trance.  She appears to not know that Superman and Clark are one in the same.  She tells Superman to let her go... which, lemme tell ya, ain't all that smart when you're a few stories up.  She unleashes some pent-up frustration with big blue over some goings down during Our Worlds At War, when Superman chose to save Wonder Woman's life rather than her father Sam Lane's.


The following morning, Lois has no recollection of what happened the night prior.  There is also no physical evidence of Lois' trudge through the moors.  Maybe Clark's crackin' up... but we've got no time to address that, there's an interview to conduct!


We meet with the Count in the wine cellar and Lois does her gig.  Rominoff expresses frustration and anxiety over a pending border dispute with General Zod.  While this is going on Clark peruses the bottles.  He finds that rather than having brand or vineyard names... they all appear to have formal personal names and years of birth and death, for example... Clark grabs one that reads "Greenwalt, Mr. David - 1949-1999".  Very curious...


We check in on Jimmy and Elizabeth... and she's really putting the moves on everybody's pal.  She calls him cute... so cute, she could eat him up!  Hey, guess what... she's a vampire too...


Lois and Clark get dressed for dinner, and Clark reveals that the wine bottles are actually full of... to nobody's surprise... blood!  Well, she ain't buying it... and even gives her husband the dreaded "Whatever".  C'mon, Lo... your man can tell the difference between blood and wine.  Lois heads to the dining hall and talks aloud to herself about her dopey husband's blood-wine-theory.  She just happens to say this within earshot of the Count... who finally reveals himself to be Dracula!


Well... ahem... luckily for her, aw forget it... Superman bursts into the room for the big rescue.  Unfortunately, he makes eye-contact with big Drac and falls into a trance.  The Count beckons him to come forward... and so he does.  He reveals that he only allowed Lois to conduct the interview because he knew that where she goes... Superman follows.  Ya see, he wants a vampiric Superman to lead his army in his skirmish with Zod... and so, he sinks his teeth into our Man of Steel.


This doesn't work all that well for Dracula.  If he'd have done his homework, he'd know that biting into Superman is akin to taking a bite out of the Sun... ya know, with Supes' being a living solar battery and all.  Got a joke for ya... whattaya call a bus-full of vampires biting Superman?  A good start.  B'dmtish.  


Dracula turns to dust... as he does, and moments later scared-rabbit James Olsen bursts into the room.  He's freaking out about almost being bit himself... I'd figure young Olsen would take any action he could get...  The trio hop the next plane outta town, and we see that the army Superman would have been leading was the Creature Commandos.


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Ya know... one day, probably after contracting mono and breaking both of my legs, I want to actually re-read this entire era of Superman.  It may be a somewhat unpopular opinion, but this was the stuff that brought me back to the character after a fairly long layoff.  I'm only remembering bits and pieces of it, and in reading this issue I became more and more interested in filling in some of the blanks in my Swiss cheese memory.

This issue itself didn't really rock my socks, but I gotta say that I'm still a sucker for this time in Superman's history.  The whole post-Y2K and through the Our Worlds At War story was, in my opinion, a pretty neat time for the Super-books.

This issue was a bit of a throwaway... but did play into some of the subplots of the time.  General Zod was something of a Dr. Doom figure... if I'm remembering correctly.  He had his own eastern European country... which, was evidently a point of contention for our ol' pal Dracula.  

The Lois-Clark relationship has been written as pretty strong... outside of that whole Superman was sleeping with the Parasite thing from a bit earlier.  Here we learn that Lois has some pent up feelings in regard to her husband choosing to save Wonder Woman during the war rather than her father.  I believe Sam Lane actually died in Our Worlds... but, I'll concede it's been ages since I'd last read it.  All I know is that he is part of Lex Luthor's cabinet... and I don't remember seeing much of him in the later 2000's.

The art here is a lot better than I'd remembered.  I recall not really digging Churchill's Marvel work... I felt it was overly-lined, and often fell prey to the Liefeldian "scowl of the seven-hundred teeth" syndrome.  While this is awfully line-y, it's nowhere near as offensive as I thought it would be.  Over the years, Churchill's art has really grown on me, I believe he recently wrapped up on the New-52 Teen Titans... though, again... I'll concede that it's been quite awhile since I've checked out his earlier-Marvel stuff.  It's definitely possible that I may find myself digging that nowadays too.

Overall, a neat little one-off... we get to witness a pretty clever way for Superman to take down a vampire.  It's totally a comicky gimmick, but I liked it.  It's so obvious, while at the same time, really outside the box, ya know?  This one's worth checking out... 

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