Tuesday, September 20, 2016

Animal Man #5 (1988)


Animal Man #5 (1988)
"The Coyote Gospel"
Writer - Grant Morrison
Penciller - Chas Truog
Inker - Doug Hazlewood
Letterer - John Costanza
Colorist - Tatjana Wood
Assistant Editor - Art Young
Editor - Karen Berger
Cover Price: $1.25

This is one of those issues I've wanted to discuss for awhile, but have honestly been a bit intimidated by it.  This is one of those issues that is no stranger to the "best of..." lists, and as such, I know that many hold it quite dear.

I too have a special place for this issue, yet I hesitate to speak about it out of fear that I'm missing some things that just go over my head.  Gonna try to break this one down best I can.  Apologies if I miss any symbolism or deeper undertones.  Feel free to fill me in if I leave anything out.

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We open on a lonely desert road, Death Valley California.  An over-the-road trucker (for the AJAX company) has picked up a hitchhiker called Carrie.  She's left home to seek fame and fortune in Hollywood... an endeavor that the driver feels is folly.  We learn a bit about our drivin' buddy here.  He's got a boyfriend named Billy waiting for him back home.  The driver comments that Billy saved his life and introduced him to Christ.  He wears a silver cross that he had been given.


The pair continues on their trek across the desert while jauntily singing along with the radio.  In the distance, what appears to be an anthropomorphic coyote standing in their path.  The trucker is unable to stop before plowing over the creature.  Carrie begins to panic... he calms her down by instructing her not to look back.


We get a closeup of the apparent roadkill... and watch as it somehow knits itself back together... bones mend, flesh heals, lungs re-inflate, and ultimately... he stands back up.  This was almost a year ago.


We shift scenes to the Baker home where Buddy is on a vegetarian rampage.  He's tossing all of the meat from the fridge, and trying to talk up the finer points of tofu with his son Cliff.  Buddy's wife Ellen enters the scene, and the couple begins arguing about Buddy making this decision without first discussing it with her.  The discussion gets pretty heated and ends with Buddy storming out... and almost immediately regretting it.


In the desert, we rejoin our friend the truck driver as he is setting up some dynamite between rocks.  He reflects on how his life fell apart, seemingly ever since he ran over that "devil" in the desert.  Over the past several months Billy was killed after being hit by a truck... the driver himself lost his job, and his mother died of cancer.  The last straw for him was finding out that Carrie his hitchhiker turned to prostitution, and was killed.


He's in the desert this day... because he's hunting coyote.  He tracks the critter to the edge of a canyon... where it's just minding its own business.  He takes aim... and shoots it right through the heart.


The coyote falls into the canyon, and the driver approaches to survey the damage.  He sees that his target is still stirring, and so... crushes him with a large rock.  If you've never read this before... by this point, you may be getting a feeling where this is headed.


Animal Man enters the scene... not really for any reason, he just happens to be flying by.  The coyote again emerges... alive and well.  He begins walking toward the truck driver, but does not appear to have any malicious intent... but that just be my take.  In his approach, he triggers the bomb the driver had set earlier on.


Which, if you're following along... absolutely decimates the coyote's body... but it isn't long before he regenerates.  Animal Man lands to see what's going on... and the coyote approaches him.  He hands over a rolled up sheet of paper and pleads with him to read it.


This is the Gospel According to Crafty.  We learn that this coyote once lived in Looney Tunes kind of world... he really is a "real life" Wile E. Coyote here.  In this world, everyone was cruel and violent toward one another... as is made evident if we have any familiarity with these type of cartoon shorts.  Lotsa AJAX stuff here... 


Crafty Coyote finally had enough one day... and so he boarded an elevator in the middle of the desert, and ascended to stand before God.  God is armed with a paintbrush, and wears a watch on his left wrist.  He is none-too-pleased with Crafty's protest, and so sends him to the "real" world where he will still be able to take the same amount of punishment... however, he would feel the pain that comes along with it.


While on Earth, he died time and again... yet would always return to life.  He hoped to one day return to his home... and make it a better place.  I assume this is why he's approaching Animal Man... but sadly, the paper he gave him was indecipherable.


In the distance we find the truck driver stirring.  He mentions how he had the silver cross Billy gave him when he "saved" him melted down into a silver bullet.  He takes aim one last time... and fires... through the gospel and through the heart of the "devil".


We close out with Crafty lying in the intersection with tears in his eyes... perhaps for the first time, unsure of what's to come.  We look on while the hand of the creator enters the frame, and fills in the red of the coyote's blood... finally allowing him to rest in peace.


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I'm really unsure whether or not I can put how I feel about this issue into words... not sure I have the wordsmithery to adequately pull it off.  I will say that this is one of the sadder issues of a comic book I'd ever read.  Like, it's a really sad story... in almost a haunting kind of way.

Let's discuss our truck driving friend.  He blames so much of his misfortune over the past year or so on the "devil" he hit with his rig.  His boyfriend dies, his mother succumbs to cancer, he loses his job, and finally the girl he helped "go west" became a prostitute and was murdered.  He's frantically trying to find a reason why his life has taken this turn... and it's easier for him to pin it on a "devil" rather than the fact that from time to time "life sucks", and sometimes you just become its punching bag.

It's so often that folks would rather subscribe to ideas like "evil" or that of conspiracy.  It's so much easier for us to swallow that bad things occur for a reason... rather than realizing that at any given moment misfortune can befall us.  Without warning... without reason, bad things happen.  I can empathize with the trucker here... I have trouble swallowing "reality" myself from time to time.  Without a visible... even tangible antecedent, I struggle to digest or reconcile traumatic events too.

Moving on to Buddy.  I'm pretty sure when I read this in my youth I thought he was being a bit precious with regard to his newfound vegetarian lifestyle... and his attempts to force it on the unwitting (and/or unwilling) Bakers.  Now, not that I'm a vegetarian or anything, I can appreciate what he was attempting to do.  You'd figure if any DC character would feel uncomfortable eating meat, it's going to be Animal Man.  I can dig that.  Even the argument with Ellen works, as Morrison always made Buddy's story as much domestic as supernatural.  This is something a married couple would discuss... or endeavor to discuss... and may not see eye-to-eye on.  Fine work here.

Finally, let's talk about the star of the issue... Crafty.  Such a tragic character... one who wanted something more than his Wile E. Coyote existence... to the point where he actually stood in opposition to God... whether that's a deity-kinda God or a Grant Morrison-kinda God, I'm not sure.  Knowing where this series... at least the first 26 issues, winds up... I suppose it may be Morrison.  I'll concede that I cannot say for sure.  Good stuff here, either way.  You'd almost figure if fictional characters could gain self-awareness, they would eventually begin questioning their lots in life.  Being a pseudo-Wile E. Coyote, you gotta figure he was tired of being blowed-up and squished all the time.  He'd probably be really annoyed at his regular invoices from ACME AJAX as well.

Crafty is given the blessing/curse of immortal life... on Earth... a place where, as the entire cast of this issue can attest, pain is real.  We watch poor Crafty get wrecked in a number of ways... and see him painfully regenerate.  It really was pretty heartbreaking.  The look of utter defeat when he realizes Animal Man cannot understand the Gospel... really powerful.

Crafty's death scene was also quite gripping.  Were the tears in his eyes because he was relieved to be finally free of suffering... or because he was coming to terms with the fact that he was actually dying?  Again, it doesn't matter... either approach is powerful.  The final brushstrokes of the "creator", showing his creation mercy was a great way to end this one.  Not sure if I "get" the Christ imagery here (or on the cover)... is Crafty dying over and over again supposed to be for the other cartoon character's sins?  Or his own perceived "sin"?  Or maybe even... with this being Morrison, the reader's sins?  Like, all the abuse he took as a cartoon character was for "our" entertainment and amusement... is our engagement to that kind of behavior "sinful"?  I dunno... I'm kinda scrambling here.

Highly recommended.  Even though I've just ruined the entire thing for you... I'd still say this is an issue any comics fan owes it to themselves to experience first-hand.  It's been collected in the first Animal Man TPB... which is now available digitally.  I hate using the word "brilliant" because since the internet has gone mainstream its lost a lot of its meaning... buuuut, the entire Morrison run really is. 

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Monday, September 19, 2016

Action Comics #597 (1988)


Action Comics #597 (February, 1988)
"Visitor"
Writer/Penciller - John Byrne
Inkers - Leonard Starr & Keith Williams
Letterer - John Costanza
Editor - Mike Carlin
Cover Price: $0.75

Superman, Meet (your brother) Clark Kent?  Wait, what?  Let's get to the bottom of this!

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We open with Lois passing the Welcome to Smallville sign in her rental car.  As she drives, she reflects on recent events and thinks to herself that she's entering her colleague, Clark Kent's hometown.  She tosses out a few Kentsian factoids, including how she knows he doesn't have any brothers or sisters... hold that thought, Ms. Lane.  She arrives at the Smallville Motel and checks in... and asks the bellhop for information on recent "Millennial" Lana Lang.


She is told that there's a flying saucer on her property... like, a real one.  Which, in the DC Universe isn't quite as senses-shattering as you'd figure.  Lois scopes out the site, and questions why this hasn't yet made national/global news.


She decides to dig a bit deeper by going to Lana's house... Lois, being who she is makes some snotty comments about the condition of the home, and then sneaks around back to find...

OH!

Superman's got some 'splainin' to do... he reveals that he'd known Lana for "quite some time"... the women give each other the once over, with Lois questioning whether or not Superman loves Lana... while Lana laments that Superman is in love with Lois.  It's really a powerful panel... and shows the striking difference between the disparate LL's.


The threesome heads inside and has some coffee (and cookies).  We actually see Superman eating a cookie, which is pretty cute.  Lois is kind of talking with them... and kind of just thinking out loud.  She appears to be getting dangerously close to the secret.  She mentions that she came up with his name, and that's just what he'd become.  Superman, rather than changing the subject, kind of eggs her on... and keeps the mental-wheels turning, until she finally just comes out with it...


Luckily (?) for Superman, Ma and Pa Kent are standing in the doorway.  They were there to deliver a pie to Lana after her Millennial event.  Now... get this, Pa Kent tells Lois that... they were the ones that found the rocket that delivered Superman to Earth.  Wait, what?  He continues, claiming that he and Martha raised Clark and Kal as though they were brothers.  Oh, gag me!


Lois' reaction is... not what Superman expects... I mean, look at that smirk on his mug!


Lois' mind immediately goes to the "story of the century" that Clark Kent scooped her on... the exclusive Superman story!  Her Superman story!  She now realizes that Superman and Clark were in cahoots the whole time.  Clark's integrity as a reporter immediately falls under suspicion here.  She grabs her bag and (rightly?) storms out.


Later that night at the motel Lois is writing a story of her own... with the subject of betrayal.  Speak of the devil, a very block-headed Clark Kent knocks of her door.  The pair argue for awhile, and we are treated to a bit of a Lane-family flashback, wherein it is made clear that Sam Lane wanted a son rather than a Lois.  Clark almost gathers the guts to tell Lois how he really feels about her, but leaves it at one of those cop-out "more than you'll ever know" type'a things.  Lois eventually tells Clark to beat it, but not before telling him that she will never be able to look at him or Superman the same again.


The next morning Lois checks out... outside the motel, she finds Lana Lang waiting for her.  The two go out to breakfast.  At the diner, Lois is approached by a fan of her novel Shadows on the Grass... Lois asks if the fan wants her to sign it, but alas it's a library book.  The fan offers to go buy a copy to get an autograph, and Lois just dismisses her.  That's not cool, Lo.


The LL's conversation finally comes around to Clark... and Lana tells Lois that Clark is in love with her.  Lois writes it off as him being "interested" in her.  We then move into some Millennium talk which makes me glaze over at the first sight of the word "Manhunter".


Twelve-hours later, Lois arrives home in Metropolis.  Once inside her apartment she checks her phone messages... and finds one from Jose "Gangbuster" Delgado.  She decides to pay him a visit... at the hospital where he is convalescing after having his body destroyed by the Combattor.


Jose makes a few off-color jokes about thinking up creative ways to take his own life when Superman enters the room.  He tells Jose that he's a lucky man for having survived the battle.  Moments pass, and Lois and Superman decide to leave.  Superman offers Lois a ride... which she declines, stating from now on, she'd much rather walk. 


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Hmm... where to start with this one?

On one hand, I can't help but to enjoy a post-Crisis downtime Smallville issue.  Having Lois as our point of view character was certainly fun as well.  Seeing her in "the sticks" after only having seen her in Metropolis was neat and novel.  Having her interact with the Kents and even Lana was cool as well.

Now... let's go a bit deeper.  This issue lands in the fallout from... Millennium. I haven't read that event-series in probably ten years, but I remember thinking it was pretty ill-advised... but, hell... whattayagonnado?  Anyhoo, during the event it was revealed that Lana Lang was... and I'm admittedly a bit muddy here, delivered by a Doctor (along with most of the town) who implanted her with a "sleeper personality"... and would be under the control of the Manhunters.  It's confusing, weird, and was pretty quickly forgotten, at least in as far as I can recall.

Speaking of things that were quickly forgotten... Superman and Clark Kent were sorta-kinda step-brothers.  Wha--?  I mean really now, I thought this was stupid the first time I read it... to the point that I was expecting this issue to be revealed as a dream... and I still think it's stupid now.  The elder Kents were just so quick to spill the phony beans... when a simple "No, Lois... Clark isn't Superman." probably would have sufficed.  I get the feeling that Byrne wanted to write about Lois distrusting Clark, and this may have just been a means to an end.

... and Lois is pretty distrusting at the end of this... to the point where she second guesses so many of Clark's scoops, as well as the intentions of the Smallville cast.  She even turns a cold shoulder to Superman to close out the issue.  I kind of dig the tension when Lois and Clark were kind of cold toward each other... especially with the revelation that Clark is, in fact, in love with Lois.  I just really wish there was a way to put the players in place without the dopey "We raised Superman and Clark together" spiel.

The art in this issue is kinda spotty.  Some pages look like classic Byrne, while others are... off.  Characters go from having normal faces to like block heads.  I notice there were a couple of inkers on this issue, and I suppose it would be easy to attribute the inconsistency on that.  Either way, it wasn't the best.

Overall, an issue worthy of giving a read.  

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Sunday, September 18, 2016

Kyle XY: Breakthrough (2007)


Kyle XY: Breakthrough (2007)
"Breakthrough"
Writer - Jeff Parker
Penciller - Steve Scott
Inker - Nathan Massengill
Colorist - Jason Wright
Letterer - Phil Balsman
Assistant Editor - Jessica Numsuwankijkul
Editor - Michael Wright

Here's a weird one.  I never heard of this one, but having been a fan of the Kyle XY television show (I used to say it phonetically... Killexy), when this bugger surfaced in the quarter-bin at Half-Price Books it jumped right out at me.  Asamattafact, the wife and I re-watched it via... er, Netflix or Hulu a couple of years back, can't remember which.  

We had kind of fallen off during our initial watch through in the mid-2000's, and were excited to find out how it all turned out... only to find out that... it ends on a cliffhanger!  Lame-o... That's neither here nor there, because this issue falls in between the first and second seasons of the show.  During that first season we meet Kyle who is thought to be a teenage runaway... without a bellybutton.  He is unbelievably intelligent and capable of superhuman feats and has a photographic memory.  He is taken in by the family of his social worker, and quickly meld into a family.  It gets complicated from here, so I'll just leave it at that.

And although we don't have the DC "bullet" (or "swoosh" by this point) on the cover, I assure you this issue fall in the humble blog's "Random DC Comics Discussion and Reviews" mandate... here's the indicia for the proof.


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We open with a shadowy pair from the Zzyzx organization watching monitors featuring Kyle and his sorta-kinda bodyguard, Tom Foss.  This occurs between the first and second seasons of the show... placing us right around the time Kyle left his foster-family in Seattle and returned to his "real parents"... only, they weren't his real parents... they worked for a fella named Adam Baylin... who, and I'm kinda blanking on the details here... I think Kyle was maybe Adam's clone... which explains why he's belly-buttonless...  Either way, it's something along those lines.  Anyhoo... Kyle is now living with the dude he was a copy of, and they are being protected by Tom Foss, and are being tracked and attacked by Zzyzx.  We end this scene with the bigwig baddie claiming that Kyle isn't all that unique while pointing to a pod... which we will learn contains Jessie, who is another clone... just not of Baylin.  It's weird... but that's more for Season Two than for today.


We shift scenes to Kyle video-chatting with his former foster brother and sister Lori and Josh.  Lori's on-again-off-again dude Declan is skulking around the background... it got to the point on the show where we were beginning to think Declan was going to profess his love for Kyle.


The chat is short and sweet, as Foss tells Kyle to disconnect.  Kyle's old family still thinks he's living with his "birth parents"... who, I wanna say are dead... but maybe not.  Can't remember.  Foss tells Kyle he can't be online too long, or the baddies will track them down.  He then informs him that Adam Baylin is waiting for him by the water.


Kyle jumps from a cliff to the beach below... yeah, he's got powers... Baylin warns him not to overexert himself... and then proceeds to use his odd pyrokinetic powers to set some kindling aflame.  We get a bit of a chat about Kyle's powers being the result of a sixteen-year gestation period.  They posited on the show that Albert Einstein was in the womb for like 11-months or something, which was why he was so intelligent.  Dunno about all that.


Adam and Kyle head back toward the house, and we see they are in a sniper's cross-hair.  As they enter the woods, they come across a hungry and angry cougar... the animal... Kyle detects only rage... or fear coming from it.  As this goes on, the sniper is readying his shot and focusing on Kyle's dome... only, Tom Foss has been watching the whole time, and takes out the goon with a shot of his own.


Kyle notices a scar on the cougar where it had been shot.  He approaches the beast and begins projecting in its direction.  He thinks of his... sorta-kinda girlfriend Amanda kindly playing with a cat.  Amanda and Kyle's relationship was weird... I won't go into it here, but... yeah... weird, and kind of uncomfortable.


We wrap up with Kyle and Adam chatting on the deck of the Baylin Chateau... or is that Chateau Baylin?  Either way, they're home.  Tom Foss tells them to quit their blibbity blab and come inside.  Before they do Kyle does a bit of expositional narration, just like he did on the show.  His last thought of the evening is of his friends and family back in Seattle.


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Nothing at all wrong with this.  You probably gotta be a fan of the show... or at least have some knowledge of it to get anything out of this... but, as someone who has watched the show, I gotta say that I thought it was okay.

What really surprised me was how well Jeff Parker was able to capture Kyle's voice here.  From his speech to his narration, I can totally hear those words in Matt Dallas' voice.  The art was decent... perhaps a tad loose here and there... but the character models were pretty much on point.  There's no mistaking who's who... which, when we're talking about these weird giveaway issues, isn't always true.  The ink and coloring kind of smacks of that late-90's "let's try this on glossy paper" thing... where it's a bit muddy.

Overall... this is just a nice little one-off, and a way to keep fans of the show engaged between seasons.  If you're a Kyle XY fan... eh, you could probably take or leave this... if you came here today and asked "what the hell is a killexy?", I think you can safely skip this one.  Hell, you might even be able to skip this review... as I'm sure it makes absolutely no sense to you... but if you've made it this far, it's too late for that... I apologize.

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